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Van Doren Waxter

FEMME BRUT

  • Jackie Saccoccio
  • 92fe9d67 5c89 49bf cc51 074f3b4eff0e

Press for FEMME BRUT

Current Exhibitions at Van Doren Waxter


FEMME BRUT

  • Jackie Saccoccio
  • Opens: Jan. 22, 2020
  • Closes: Mar. 14, 2020
  • Reception: Jan. 22, 2020
  • Hours: 6 - 8pm
  • Admission: free

A Tower in the Night Forest

  • Katsura Funakoshi,
  • Opens: Nov. 14, 2019
  • Closes: Jan. 17, 2020
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

In Color: Paintings & Drawings 1997-2007

  • Tom Fairs,
  • Opens: Sep. 10, 2019
  • Closes: Nov. 02, 2019
  • Reception: Sep. 10, 2019
  • Hours: 6 - 8pm
  • Admission: free

This Marram

  • TM Davy,
  • Opens: Sep. 10, 2019
  • Closes: Nov. 02, 2019
  • Reception: Sep. 10, 2019
  • Hours: 6 - 8pm
  • Admission: free

Joshua Nathanson and Erin Jane Nelson

  • Joshua Nathanson,
  • Erin Jane Nelson,
  • Opens: May. 30, 2019
  • Closes: Jul. 12, 2019
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Ocean Park Works on Paper 1978 - 1991

  • Richard Diebenkorn,
  • Opens: May. 01, 2019
  • Closes: Jun. 28, 2019
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Paintings & Works on Paper

  • Moira Dryer,
  • Opens: Apr. 04, 2019
  • Closes: May. 24, 2019
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Painting I Prefer to Know, Works on Canvas from 1950-1958

  • James Brooks,
  • Opens: Mar. 13, 2019
  • Closes: Apr. 27, 2019
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Names will never hurt me

  • Hilary Berseth,
  • Opens: Feb. 21, 2019
  • Closes: Mar. 30, 2019
  • Reception: Feb. 21, 2019
  • Hours: 6 - 8pm
  • Admission: free

2030

  • Brian Rochefort,
  • Opens: Jan. 09, 2019
  • Closes: Feb. 16, 2019
  • Reception: Jan. 09, 2019
  • Hours: 6 - 8pm
  • Admission: free

Starry Sky

  • Douglas Melini,
  • Opens: Nov. 13, 2018
  • Closes: Jan. 12, 2019
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

.....READ ALL ABOUT

  • Gareth Nyandoro,
  • Opens: Nov. 08, 2018
  • Closes: Dec. 21, 2018
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Structures and Landscapes, 1950-1968

  • Hedda Sterne,
  • Opens: Nov. 01, 2018
  • Closes: Dec. 22, 2018
  • Reception: Nov. 01, 2018
  • Hours: 6 - 8pm
  • Admission: free

Rockers and Pendulums, 1969-1977

  • Harvey Quaytman,
  • Opens: Oct. 04, 2018
  • Closes: Nov. 03, 2018
  • Reception: Oct. 10, 2018
  • Hours: 6 - 8pm
  • Admission: free

Jeronimo Elespe

  • Jeronimo Elespe,
  • Opens: Sep. 13, 2018
  • Closes: Oct. 27, 2018
  • Reception: Sep. 13, 2018
  • Hours: 6 - 8pm
  • Admission: free

Aiko Hachisuka and John Williams

  • Aiko Hachisuka,
  • John Williams,
  • Opens: Aug. 29, 2018
  • Closes: Sep. 29, 2018
  • Reception: Sep. 05, 2018
  • Hours: 6 - 8pm
  • Admission: free

Gaze

  • Hilary Berseth,
  • Marsha Cottrell,
  • TM Davy,
  • Jeronimo Elespe,
  • Tom Fairs,
  • Judy Fiskin,
  • Joe Goode,
  • Volker Hüller,
  • Ellsworth Kelly,
  • Cameron Martin,
  • Douglas Melini,
  • Valeska Soares,
  • Hedda Sterne,
  • Kevin Zucker,
  • Opens: Aug. 01, 2018
  • Closes: Aug. 30, 2018
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Rolling Orbit: Prints from the 1970s

  • Alan Shields,
  • Opens: May. 17, 2018
  • Closes: Jul. 27, 2018
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Figureheads [EXTENDED]

  • Sarah Peters,
  • Opens: Apr. 27, 2018
  • Closes: Jun. 16, 2018
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Constructions

  • John McLaughlin,
  • Opens: Mar. 28, 2018
  • Closes: May. 11, 2018
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Screen Life

  • Marsha Cottrell,
  • Opens: Mar. 08, 2018
  • Closes: Apr. 21, 2018
  • Reception: Mar. 08, 2018
  • Hours: 6 - 8pm
  • Admission: free

Tonics

  • Volker Hüller,
  • Opens: Jan. 24, 2018
  • Closes: Mar. 23, 2018
  • Reception: Jan. 24, 2018
  • Hours: 6 - 8pm
  • Admission: free

Alan Shields Project

  • Lisa Alvarado,
  • Cheryl Donegan,
  • Aiko Hachisuka,
  • Channing Hansen,
  • Naotaka Hiro,
  • Alan Shields,
  • Martha Tuttle,
  • B. Wurtz,
  • Opens: Jan. 05, 2018
  • Closes: Feb. 24, 2018
  • Reception: Jan. 05, 2018
  • Hours: 6 - 8pm
  • Admission: free

Works on Paper 1955-1967

  • Richard Diebenkorn,
  • Opens: Nov. 08, 2017
  • Closes: Jan. 20, 2018
  • Reception: Nov. 08, 2017
  • Hours: 6 - 8pm
  • Admission: free

Hot Spots

  • Brian Rochefort,
  • Opens: Nov. 03, 2017
  • Closes: Dec. 23, 2017
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Cellophane Grip

  • Evan Nesbit,
  • Opens: Sep. 13, 2017
  • Closes: Oct. 28, 2017
  • Reception: Sep. 13, 2017
  • Hours: 6 - 8pm
  • Admission: free

Annotations, Striations, and Souvenirs

  • Ishmael Randall Weeks,
  • Opens: Sep. 12, 2017
  • Closes: Oct. 28, 2017
  • Reception: Sep. 12, 2017
  • Hours: 6 - 8pm
  • Admission: free

The Healdsburg Years, 1988-1993

  • Richard Diebenkorn,
  • Opens: Nov. 05, 2014
  • Closes: Jan. 16, 2015
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Space Sisters - Work from the 1970's

  • Alan Shields,
  • Opens: Sep. 14, 2016
  • Closes: Oct. 28, 2016
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Summer Group Exhibition: Part I

  • Al Held,
  • Alan Shields,
  • Frank Stella,
  • Opens: Jun. 02, 2014
  • Closes: Jul. 18, 2014
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Summer Group Exhibition: Part II

  • James Brooks,
  • Richard Diebenkorn,
  • Al Held,
  • Manny Farber,
  • Alan Shields,
  • Opens: Jul. 28, 2014
  • Closes: Aug. 29, 2014
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Forgeries

  • Tim Davis,
  • Opens: Sep. 10, 2014
  • Closes: Oct. 31, 2014
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

A New Surrealism: Works from the 1930's

  • Joseph Cornell,
  • Opens: Sep. 10, 2014
  • Closes: Oct. 31, 2014
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Emil Nolde and Die Brücke - Master Drawings New York

  • Erich Heckel,
  • Emil Nolde,
  • Ernst Ludwig Kirchner,
  • Max Pechstein,
  • Karl Schmidt-Rottluff,
  • Opens: Jan. 23, 2015
  • Closes: Feb. 20, 2015
  • Reception: Jan. 23, 2015
  • Hours: 4 - 8pm
  • Admission: free

Familiar World 1942 – 1982

  • James Brooks,
  • Opens: May. 03, 2017
  • Closes: Jun. 23, 2017
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Special Presentation

  • Carl D'Alvia,
  • Opens: May. 06, 2015
  • Closes: Aug. 28, 2015
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Frankenthaler, Rockburne, & Sterne

  • Helen Frankenthaler,
  • Dorothea Rockburne,
  • Hedda Sterne,
  • Opens: Jul. 08, 2015
  • Closes: Aug. 28, 2015
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Special Presentation

  • Eva Lundsager,
  • Opens: Jun. 22, 2015
  • Closes: Jul. 24, 2015
  • Reception: Jun. 23, 2015
  • Hours: 5 - 7pm
  • Admission: free

There's Always Tomorrow

  • Joe Goode,
  • Opens: Feb. 25, 2015
  • Closes: May. 01, 2015
  • Reception: Feb. 25, 2015
  • Hours: 6 - 8pm
  • Admission: free

Particular Paradox

  • Al Held,
  • Opens: May. 06, 2015
  • Closes: Jul. 02, 2015
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Degree of Tilt

  • Jackie Saccoccio
  • Opens: Sep. 09, 2015
  • Closes: Oct. 23, 2015
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Color(less)

  • Richard Diebenkorn,
  • Michael Goldberg,
  • Arshile Gorky,
  • Al Held,
  • Donald Judd,
  • Franz Kline,
  • Sol LeWitt,
  • Robert Mangold,
  • Robert Motherwell,
  • Dorothea Rockburne,
  • Mark Tobey,
  • Hedda Sterne,
  • Opens: Oct. 28, 2015
  • Closes: Dec. 23, 2015
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Early Color Abstractions 1949-1955

  • Richard Diebenkorn,
  • Opens: Jan. 13, 2016
  • Closes: Mar. 05, 2016
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Brushstrokes - India Ink Drawings from 1960

  • Al Held,
  • Opens: May. 12, 2016
  • Closes: Jul. 08, 2016
  • Reception: May. 12, 2016
  • Hours: 6 - 8pm
  • Admission: free

Machines 1947 – 1951

  • Hedda Sterne,
  • Opens: Mar. 10, 2016
  • Closes: May. 07, 2016
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Other Night Other Light

  • Eva Lundsager,
  • Opens: Jul. 13, 2016
  • Closes: Aug. 26, 2016
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Hone

  • Harvey Quaytman,
  • Opens: Feb. 22, 2017
  • Closes: Apr. 28, 2017
  • Reception: Feb. 22, 2017
  • Hours: 6 - 8pm
  • Admission: free

John McLaughlin

  • Marvelous Void,
  • Opens: Nov. 02, 2016
  • Closes: Jan. 07, 2017
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Go Figure

  • James Brooks,
  • Joseph Cornell,
  • Richard Diebenkorn,
  • Philip Guston,
  • Ed Paschke,
  • Hedda Sterne,
  • Kristin Baker,
  • Michael Berryhill,
  • Jeronimo Elespe,
  • Volker Hüller,
  • Sarah Peters,
  • Opens: Jan. 11, 2017
  • Closes: Feb. 18, 2017
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Reticulations

  • Cameron Martin,
  • Opens: Jun. 28, 2017
  • Closes: Aug. 25, 2017
  • Reception: Jun. 28, 2017
  • Hours: 5 - 7pm
  • Admission: free

When

Jan 22 - Mar 14, 2020

  • Reception: Jan 22, 6 - 8pm

Where

Van Doren Waxter

  • 23 E 73rd St, New York NY 10021 Map
  • 212.445.0444

About

Van Doren Waxter and CHART, a new and dynamic collaborative space in Tribeca opened by Clara Ha, are pleased to announce Jackie Saccoccio: Femme Brut, a two-venue exhibition of the American artist’s paintings, drawings, and prints to go on view at 23 East 73rd Street and 74 Franklin Street, respectively, from January 22, 2020, with the uptown presentation through March 14 and the downtown presentation through March 21. Saccoccio is admired for her radiant abstractions and an expanding use of the canvas as a painting tool. Her adventurous body-aware practice and formal concerns align her with contemporary painters recognized for pushing the medium. A recipient of an American Academy in Rome Prize and a John Simon Guggenheim Memorial Foundation Fellowship, Saccoccio has exhibited continuously since her White Columns White Room debut in 2001.

An allusion to Jean Dubuffet’s “Art Brut,” his definition for raw, emotional work made outside of the academy, Saccoccio’s expansive, physical, and unapologetic Femme Brut is, for what the artist states as “abstraction at full throttle.” The works to go on view are characterized by a muscular urgency and evidence formal interests in space and scale. The unabashed bravado of the newest canvasses recall artist and art critic Thomas Micchelli’s comment that while Saccoccio’s work contains “echoes of Joan Mitchell and Helen Frankenthaler,” it is her “exploitation of every conceivable mode of applying paint” that “grounds the work in pure painting and distinguishes it as a post-painting phenomenon.”

Her most recent canvasses, all 2019, are characterized by globules, spheres, washes, and fictitious architecture, which she likens to the “explosive nature of a tempest,” a reference to Shakespeare’s tragedy that deals with storms, sorcery, and enchantment, such as a pair of epically scaled, highly activated oil and oil pastel on linen paintings measuring 130 x 94 inches. Another work, La Source de la Loue, an oil, oil pastel, and mica on linen measuring 114 x 94 inches, returns to a seminal historical painting for the artist—a ca. 1864 production by the French artist Gustave Courbet of the same title. Saccoccio’s canvas is a buoyant palette to his somber, foreboding tones; she powerfully echoes his cavernous space absent of a horizon line and conveys, terrifyingly, both volume and vacuum. The artist’s monotype paintings also ruminate on this solidity, transparency, and metaphor. The more than six-foot-tall oil and mica on linen Le Puits Noir (Concave)’s layered passages of red, citrus orange, and bone, are like that of a tempest, at once warped and non-sensical and what Saccoccio describes as “a stage for a floating chrysalis.”

The artist draws inspiration from art history, contemporary practice, literature, and cinema and is known for an affecting body of chromatic large-scale, body-aware paintings, working in a mode that favors chance, gravity, time and control. She tips, drags, and shakes her paintings over one another, accumulating webs of space, manipulating them as prints, so that one serves as plate, the other as paper. The resulting orbicular centers reflect a conversation between the layers that include atomized color, painted and drawn, perspectival views of pixelation, printmaking, and the results of her alchemical combinations.


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