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Tanya Bonakdar Gallery

paradigm lost

  • Charles Long
  • Cbad97ae 0df7 4cc8 fc0b 8d30037ae01a
    Charles Long, Installation view
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    Charles Long, Installation view
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    Charles Long, Installation view
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    Charles Long, Installation view
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    Charles Long, Installation view
    5 / 5 All

Press for paradigm lost

Current Exhibitions at Tanya Bonakdar Gallery


Songs in the Dark

  • Phil Collins,
  • Mat Collishaw,
  • Mark Dion,
  • Olafur Eliasson,
  • Meschac Gaba,
  • Jónsi,
  • Agnieszka Kurant,
  • Charles Long
  • Ernesto Neto,
  • Rivane Neuenschwander,
  • Lisa Oppenheim,
  • Susan Philipsz,
  • Analia Saban,
  • Tomás Saraceno,
  • Slavs and Tatars,
  • Hannah Starkey,
  • Jeffrey Vallance,
  • Gillian Wearing,
  • Opens: Jan. 11, 2020
  • Closes: Feb. 20, 2020
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

One Last Trip to The Underworld

  • Nathalie Djurberg,
  • Hans Berg,
  • Opens: Nov. 01, 2019
  • Closes: Dec. 20, 2019
  • Reception: Nov. 01, 2019
  • Hours: 6 - 8pm
  • Admission: free

Sarah Sze

  • Sarah Sze,
  • Opens: Sep. 05, 2019
  • Closes: Oct. 19, 2019
  • Reception: Sep. 05, 2019
  • Hours: 6 - 8pm
  • Admission: free

Living in a Lightbulb

  • Group show,
  • Opens: Jun. 06, 2019
  • Closes: Jul. 26, 2019
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Burner

  • Dana Powell,
  • Opens: Jun. 06, 2019
  • Closes: Jul. 26, 2019
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Writing Yellow

  • Mark Manders,
  • Opens: Apr. 13, 2019
  • Closes: May. 24, 2019
  • Reception: Apr. 13, 2019
  • Hours: 6 - 8pm
  • Admission: free

I hope this finds you well.

  • Laura Lima,
  • Opens: Feb. 21, 2019
  • Closes: Apr. 04, 2019
  • Reception: Feb. 21, 2019
  • Hours: 6 - 8pm
  • Admission: free

paradigm lost

  • Charles Long
  • Opens: Jan. 05, 2019
  • Closes: Feb. 09, 2019
  • Reception: Jan. 05, 2019
  • Hours: 6 - 8pm
  • Admission: free

A Single Voice

  • Susan Philipsz,
  • Opens: Oct. 25, 2018
  • Closes: Dec. 15, 2018
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Punched Card

  • Analia Saban,
  • Opens: Sep. 06, 2018
  • Closes: Oct. 18, 2018
  • Reception: Sep. 06, 2018
  • Hours: 6 - 8pm
  • Admission: free

Pine Barrens

  • Catharine Czudej,
  • Laeh Glenn,
  • Samara Golden,
  • Van Hanos,
  • Hugh Hayden,
  • Dan Herschlein,
  • Elizabeth Jaeger,
  • Zak Kitnick,
  • Agnieszka Kurant,
  • Ajay Kurian,
  • Kelly Akashi,
  • Mathew Cerletty,
  • Anna Pollack,
  • Dana Powell,
  • Kathleen Ryan,
  • Borna Sammak,
  • Max Hooper Schneider,
  • Hayley Silverman,
  • Emily Mae Smith,
  • Slavs and Tatars,
  • Nicole Wermers,
  • Opens: Jun. 21, 2018
  • Closes: Jul. 27, 2018
  • Reception: Jun. 21, 2018
  • Hours: 6 - 8pm
  • Admission: free

Solar Rhythms

  • Tomás Saraceno,
  • Opens: Apr. 14, 2018
  • Closes: Jun. 09, 2018
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Isolated Above, Connected Down

  • Liu Shiyuan,
  • Opens: Feb. 22, 2018
  • Closes: Apr. 07, 2018
  • Reception: Feb. 22, 2018
  • Hours: 6 - 8pm
  • Admission: free

Carla Klein

  • Carla Klein,
  • Opens: Jan. 06, 2018
  • Closes: Feb. 15, 2018
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Phil Collins

  • Phil Collins,
  • Opens: Nov. 02, 2017
  • Closes: Dec. 16, 2017
  • Reception: Nov. 02, 2017
  • Hours: 6 - 8pm
  • Admission: free

The listening dimension

  • Olafur Eliasson,
  • Opens: Mar. 23, 2017
  • Closes: Apr. 22, 2017
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

A Durable Web

  • Lisa Oppenheim,
  • Opens: Sep. 07, 2017
  • Closes: Oct. 21, 2017
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Uta Barth

  • Uta Barth,
  • Opens: Feb. 09, 2017
  • Closes: Mar. 11, 2017
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Rita Lundqvist

  • Rita Lundqvist,
  • Opens: Jan. 05, 2017
  • Closes: Feb. 04, 2017
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

b 4 u

  • Charles Long
  • Opens: Jan. 05, 2017
  • Closes: Feb. 04, 2017
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Sleeping Chimneys. Dead Stars.

  • Martin Boyce,
  • Opens: May. 03, 2017
  • Closes: Jun. 16, 2017
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Meschac Gaba

  • Meschac Gaba,
  • Opens: Jun. 22, 2017
  • Closes: Jul. 28, 2017
  • Reception: Jun. 22, 2017
  • Hours: 6 - 8pm
  • Admission: free

When

Jan 05 - Feb 09, 2019

  • Reception: Jan 05, 6 - 8pm

Where

Tanya Bonakdar Gallery

  • 521 West 21st Street, New York NY 10011 Map
  • 212.414.4144

About

Tanya Bonakdar Gallery, New York, is delighted to present paradigm lost, an immersive installation by Charles Long. On view in the downstairs gallery from January 5 - February 9, 2019, the exhibition brings together a body of work that the artist created over the last year. For the artist’s thirteenth solo exhibition with the gallery, paradigm lost continues the artist’s investigation of the forms scattered on the shore of modernism’s receding wave. Long’s studio output of the last 3 decades reveals both a charting of this modernist trajectory and need to transcend its shortcomings. With references to Giacometti, Guston, Munch, Brancusi, and other patriarchs who haunt the artist’s studio, paradigm lost castrates these forbearers in a poetic socio-political examination of our present moment, to nuanced and playful ends.

The inspiration for this body of work developed during the artist’s daily walks through the deteriorating landscape of tree trunks around the village on Mt Baldy, California, where he has resided for over a decade. As the climate changes and the trees die, the village proliferates with stumps and stacks of massive logs. For the artist, the symbolic weight of this landscape poetically resonates with the change of social climate around the increasingly apparent consequences of patriarchy.

Examining his role in these effects he took into account his identity not only as a socially gendered being but also his identity defined by his physiology, in particular the confines of his anatomical and chemical self. One day, while drawing a tree stump, Long replaced the concentric rings with the cross-section of the human penis. From this, a third image appeared; Long explains, “The anatomical cross section oddly resembled a face or ancient mask that looked back at me with an expression of confusion or sorrow, but ultimately, a question – one that reverberated with my own queries about my relation to the gender I perform and embody within patriarchal culture. The new works then spilled out from this tear in the fabric of my being in myriad images and forms of this open body, creating a mythological world, all of it bound by the sole motif derived from the anatomical cross section of human male anatomy.”

paradigm lost offers a place for contemplation amidst the aftermath of a patriarchal apocalypse. The historical and visceral touchstones present in this fossilized environment serve as reminders of the path that led to this imagined extinction, while also presenting a sardonic critique, and a touch of comedic relief at the bedside of this cultural demise. With its sights also fixed on a future, paradigm lost sets the stage for an unscripted performance. And after the viewer takes stock of the epic tragedy that has transpired, she commences playing out a new paradigm.


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