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Galerie Perrotin

Rooms greet people by name

  • Artie Vierkant
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Press for Rooms greet people by name

Current Exhibitions at Galerie Perrotin


3018

  • Daniel Arsham,
  • Opens: Sep. 08, 2018
  • Closes: Oct. 21, 2018
  • Reception: Sep. 08, 2018
  • Hours: 5 - 8pm
  • Admission: free

Alfred Paintings

  • Johan Creten,
  • Opens: Sep. 08, 2018
  • Closes: Oct. 21, 2018
  • Reception: Sep. 08, 2018
  • Hours: 5 - 8pm
  • Admission: free

ALOALO - Mahafaly Sculptures of the Efiaimbelos

  • Efiaimbelo,
  • Opens: Jun. 28, 2018
  • Closes: Aug. 17, 2018
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Horizontal

  • JR,
  • Opens: Jun. 28, 2018
  • Closes: Aug. 17, 2018
  • Reception: Jun. 28, 2018
  • Hours: 5 - 8pm
  • Admission: free

"HEADS↔HEADS"

  • Takashi Murakami,
  • Opens: Apr. 28, 2018
  • Closes: Jun. 17, 2018
  • Reception: Apr. 28, 2018
  • Hours: 4 - 9pm
  • Admission: free

Rooms greet people by name

  • Artie Vierkant
  • Opens: Mar. 03, 2018
  • Closes: Apr. 08, 2018
  • Reception: Mar. 03, 2018
  • Hours: 6 - 8pm
  • Admission: free

Dark Matters

  • Jean-Michel Othoniel,
  • Opens: Mar. 03, 2018
  • Closes: Apr. 15, 2018
  • Reception: Mar. 03, 2018
  • Hours: 4 - 8pm
  • Admission: free

A Constant Storm. Works from 1922 to 1989

  • Hans Hartung,
  • Opens: Jan. 12, 2018
  • Closes: Feb. 18, 2018
  • Reception: Jan. 12, 2018
  • Hours: 6 - 8pm
  • Admission: free

One Law for The Lion & Ox is Oppression

  • Gabriel Rico,
  • Opens: Nov. 05, 2017
  • Closes: Dec. 23, 2017
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Snow Forest

  • Fahrad Moshiri,
  • Opens: Nov. 05, 2017
  • Closes: Dec. 23, 2017
  • Reception: Nov. 04, 2017
  • Hours: 6 - 8pm
  • Admission: free

Wim Delvoye

  • Wim Delvoye,
  • Opens: Sep. 09, 2017
  • Closes: Oct. 28, 2017
  • Reception: Sep. 09, 2017
  • Hours: 6 - 8pm
  • Admission: free

Kate Ericson & Mel Zeigler

  • Kate Ericson,
  • Mel Zeigler,
  • Opens: Jul. 08, 2014
  • Closes: Aug. 22, 2014
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Float

  • Farhad Moshiri,
  • Opens: Sep. 04, 2014
  • Closes: Oct. 04, 2014
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

A Revision

  • John Henderson,
  • Opens: Oct. 09, 2014
  • Closes: Nov. 15, 2014
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Claude Rutault

  • Claude Rutault,
  • Opens: Nov. 20, 2014
  • Closes: Jan. 03, 2015
  • Reception: Nov. 20, 2014
  • Hours: 6 - 8pm
  • Admission: free

Ecriture

  • Park Seo-Bo,
  • Opens: May. 28, 2015
  • Closes: Jul. 03, 2015
  • Reception: May. 28, 2015
  • Hours: 6 - 8pm
  • Admission: free

Meditation

  • CHUNG Chang-Sup,
  • Opens: Nov. 03, 2015
  • Closes: Dec. 23, 2015
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Chronochrome, curated by Matthieu Poirier

  • Jesus Rafael Soto,
  • Opens: Jan. 15, 2015
  • Closes: Feb. 21, 2015
  • Reception: Jan. 15, 2015
  • Hours: 6 - 8pm
  • Admission: free

La Venganza Del Amor

  • Iván Argote,
  • Opens: Apr. 27, 2017
  • Closes: Jun. 11, 2017
  • Reception: Apr. 27, 2017
  • Hours: 6 - 8pm
  • Admission: free

Past Tomorrow

  • Elmgreen & Dragset,
  • Opens: Apr. 16, 2015
  • Closes: May. 23, 2015
  • Reception: Apr. 16, 2015
  • Hours: 6 - 8pm
  • Admission: free

Music

  • Xavier Veilhan,
  • Opens: Feb. 26, 2015
  • Closes: Apr. 11, 2015
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

God is a Stranger

  • Johan Creten,
  • Opens: Sep. 09, 2015
  • Closes: Oct. 31, 2015
  • Reception: Sep. 15, 2015
  • Hours: 6 - 8pm
  • Admission: free

Pierre Paulin

  • Pierre Paulin,
  • Opens: Jun. 22, 2016
  • Closes: Aug. 19, 2016
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Paris Holiday

  • Group show,
  • Opens: Jul. 09, 2015
  • Closes: Aug. 21, 2015
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Erró: Paintings from 1959 to 2016

  • Erró,
  • Opens: Mar. 01, 2016
  • Closes: Apr. 23, 2016
  • Reception: Mar. 01, 2016
  • Hours: 6 - 8pm
  • Admission: free

Izumi Kato

  • Izumi Kato,
  • Opens: Jan. 07, 2016
  • Closes: Feb. 27, 2016
  • Reception: Jan. 07, 2016
  • Hours: 6 - 8pm
  • Admission: free

Dawn comes up so young

  • Bernard Frize,
  • Opens: May. 03, 2016
  • Closes: Jun. 18, 2016
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Circa 2345

  • Daniel Arsham,
  • Opens: Sep. 15, 2016
  • Closes: Oct. 22, 2016
  • Reception: Sep. 15, 2016
  • Hours: 6 - 8pm
  • Admission: free

Julio Le Parc

  • Julio Le Parc,
  • Opens: Nov. 04, 2016
  • Closes: Nov. 19, 2016
  • Reception: Nov. 04, 2016
  • Hours: 6 - 8pm
  • Admission: free

Fond Illusions

  • Kathryn Andrews,
  • Sophie Calle,
  • Leslie Hewitt,
  • Bharti Kher,
  • Alicja Kwade,
  • B. Ingrid Olson,
  • Cornelia Parker,
  • Gala Porras-Kim,
  • Tatiana Trouvé,
  • Opens: Jun. 21, 2017
  • Closes: Aug. 18, 2017
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

When

Mar 03 - Apr 08, 2018

  • Reception: Mar 03, 6 - 8pm

Where

Galerie Perrotin

  • 130 Orchard Street, New York NY 10002 Map
  • 212.812.2902

About

Perrotin New York is pleased to announce Rooms Greet People By Name, the gallery’s first exhibition with New York-based artist Artie Vierkant.
Vierkant sets out to challenge the distinctions between object and document, the virtual and material, along with our existing ideas
on authorship and propriety. His work spans a variety of media: co-existing photographic or sculptural techniques with unconventional
materials ranging from circulating JPEGs to the negotiated limits of patents and trademarks.

Central to this pursuit is the artist’s assertion that an object’s physical manifestation is no more or less consequential than its
representations. For Vierkant, the representation itself can exist “without reference to the ‘original’, so that we can no longer identify
anything as an “original copy”. This is most evident in his series, Image Objects, ongoing since 2011. These works are made as prints
using contemporary commercial printing technologies commonly applied for advertising and luxury signage. Subsequently the works
are documented in photographic images which are harshly and abstractly retouched, often to the point that the original object is more
or less unrecognizable and the space of the installation itself appears blended with the object. The documentation of the art becomes
a work in its own right, with object and image equally part of the overall work, calling into question the ability of the one to supersede
the other, and collapsing notions of value.


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