Transmitter

Painting: More or Less..

  • Aimée Terburg (NL),
  • Alain Biltereyst (BE),
  • Chris Fennell (USA),
  • Danielle Mysliwiec (USA),
  • Emma Langridge (AUS),
  • Michael Rouillard (USA),
  • Shawn Stipling (UK)
  • B96ca7f7 fe07 47f7 831e 697a647f1b17
    Emma Langridge,

Press for Painting: More or Less..

Current Exhibitions at Transmitter


Stupid Cartoons to Pass the Time in the Desert

  • Joey Parlett,
  • Stephanie Snider,
  • Adam Douglas Thompson,
  • Crys Yin,
  • Opens: Jan. 08, 2016
  • Closes: Feb. 14, 2016
  • Reception: Jan. 08, 2016
  • Hours: 6 - 9pm
  • Admission: free

Spooky Laughter at a Distance

  • JENNIFER GRIMYSER,
  • TODD KELLY,
  • BEN PEDERSON,
  • Opens: May. 22, 2015
  • Closes: Jun. 28, 2015
  • Reception: May. 22, 2015
  • Hours: 6 - 9pm
  • Admission: free

Transmitter presents: The Model Reader

  • PAUL GAGNER,
  • ALEX GINGROW,
  • MEGAN HAYS,
  • ELLE PEREZ,
  • DEVIN POWERS,
  • Opens: Jun. 05, 2015
  • Closes: Jun. 28, 2015
  • Reception: Jun. 05, 2015
  • Hours: 6 - 9pm
  • Admission: free

Transmitter presents an offsite exhibition at Space Available: Video Archipelago

  • JANAYE BROWN,
  • HARLAN CRICHTON,
  • MILTON MELVIN CROISSANT III,
  • BJÖRN MEYER-EBRECHT,
  • CHRISTINE ROGERS,
  • JENNIFER SULLIVAN,
  • BENJAMIN TIVEN,
  • Opens: Sep. 19, 2015
  • Closes: Oct. 25, 2015
  • Reception: Sep. 19, 2015
  • Hours: 6 - 9pm
  • Admission: free

Cost-Benefit Analysis: A Survey Exhibition of Baltimore Artists To Be Donated to the Baltimore Museum of Art (BMA)

  • John Bohl,
  • Amy Boone-McCreesh,
  • Lisa Dillin,
  • Terence Hannum,
  • Jason Hughes,
  • Andrew Laumann,
  • Jacqueline Maria Milad,
  • Steve Riddle,
  • Opens: Sep. 18, 2015
  • Closes: Oct. 25, 2015
  • Reception: Sep. 18, 2015
  • Hours: 6 - 9pm
  • Admission: free

An Introduction

  • STEPHEN HILGER,
  • JOSEPH LAWTON,
  • PAUL MCDONOUGH,
  • SERGIO PURTELL,
  • Opens: Oct. 28, 2016
  • Closes: Dec. 04, 2016
  • Reception: Oct. 28, 2016
  • Hours: 6 - 9pm
  • Admission: free

Rules of the Game

  • Palma Blank,
  • Amanda Browder,
  • Paul Corio,
  • JEAN ALEXANDER FRATER,
  • Ben McNutt,
  • Michael Namkung,
  • Norm Paris,
  • Derrick Velasquez,
  • Opens: Jul. 08, 2016
  • Closes: Aug. 07, 2016
  • Reception: Jul. 08, 2016
  • Hours: 6 - 8pm
  • Admission: free

Painting: More or Less..

  • Aimée Terburg (NL),
  • Alain Biltereyst (BE),
  • Chris Fennell (USA),
  • Danielle Mysliwiec (USA),
  • Emma Langridge (AUS),
  • Michael Rouillard (USA),
  • Shawn Stipling (UK)
  • Opens: Oct. 30, 2015
  • Closes: Dec. 06, 2015
  • Reception: Oct. 30, 2015
  • Hours: 6 - 9pm
  • Admission: free

Each Ellipse Includes a Point

  • JANINE BIUNNO,
  • EMMY MIKELSON,
  • PARSLEY STEINWEISS,
  • Opens: Aug. 14, 2015
  • Closes: Sep. 13, 2015
  • Reception: Aug. 14, 2015
  • Hours: 6 - 9pm
  • Admission: free

OVER TIME ACROSS SPACE: a collaboration in thread, paper, ink, paint, cotton, mail, and phone calls.

  • Kim Bennett,
  • Chris Hosea,
  • Opens: Jul. 10, 2015
  • Closes: Aug. 09, 2015
  • Reception: Jul. 10, 2015
  • Hours: 6 - 9pm
  • Admission: free

Every Number is One: A Whole in Three Parts Composed of Twenty-Four Stages of Difference or How Can We Know the Moon if We Never See its Dark Side?

  • Mariana Garibay Raeke,
  • Opens: Dec. 11, 2015
  • Closes: Dec. 20, 2015
  • Reception: Dec. 11, 2015
  • Hours: 6 - 9pm
  • Admission: free

Publish or Perish

  • Benoît Broisat,
  • Sessa Englund,
  • David Horvitz,
  • Farah Khelil + Antoine Lefebvre Editions,
  • Nicole Reber,
  • Paul Soulellis,
  • Opens: Apr. 01, 2016
  • Closes: May. 08, 2016
  • Reception: Apr. 01, 2016
  • Hours: 6 - 9pm
  • Admission: free

Not Invited...

  • London Kaye,
  • Niels Post,
  • Victoria Scott,
  • Emmanuel Sevilla,
  • Opens: May. 13, 2016
  • Closes: Jun. 26, 2016
  • Reception: May. 13, 2016
  • Hours: 6 - 9pm
  • Admission: free

Waterlogged

  • Erik Benson,
  • Jon Elliot,
  • Frank Webster,
  • Opens: Sep. 16, 2016
  • Closes: Oct. 16, 2016
  • Reception: Sep. 16, 2016
  • Hours: 6 - 8pm
  • Admission: free

A Panel on Photography’s Relationship to Painting

  • Jacob Cartwright,
  • Erin O'Keefe,
  • Rob de Oude,
  • Carl Gunhouse,
  • Opens: Feb. 01, 2017
  • Closes: Feb. 01, 2017
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Faulted Valley Fog

  • Katie Bell,
  • Elliott Green,
  • Kevin Cooley and Phillip Andrew Lewis,
  • Opens: Feb. 19, 2016
  • Closes: Mar. 20, 2016
  • Reception: Feb. 19, 2016
  • Hours: 6 - 9pm
  • Admission: free

Remainders

  • Justin Amrhein,
  • Colette Robbins,
  • Opens: Feb. 17, 2017
  • Closes: Mar. 26, 2017
  • Reception: Feb. 24, 2017
  • Hours: 6 - 9pm
  • Admission: free

After the Feast

  • Joshua Liebowitz,
  • Opens: Dec. 09, 2016
  • Closes: Dec. 18, 2016
  • Reception: Dec. 09, 2016
  • Hours: 6 - 8pm
  • Admission: free

The Black & White Project

  • Alain Biltereyst,
  • Andrew Seto,
  • Armelle De Sainte Marie,
  • Béatrice Beha,
  • Ben Alper,
  • Benjamin Gardner,
  • Brian Cypher,
  • Brian Edmonds,
  • Brynn Higgins-Stirrup,
  • Catherine Haggarty,
  • Christine Mahoney,
  • Claire Colin-Collin,
  • Daniel G. Hill,
  • David Rhodes,
  • Didier Petit,
  • Don Voisine,
  • DotsToLines,
  • Emily Noelle Lambert,
  • Eve Aschheim,
  • Espen Erichsen,
  • Gabriele Herzog,
  • Gary Petersen,
  • Guy Yanai,
  • Heidi Pollard,
  • Ian White Williams,
  • Izabela Kowalczyk,
  • Jasper van der Graaf,
  • Jeremie Delhome,
  • Jérémy Laffon,
  • Joris Brantuas,
  • Justine Frischmann,
  • Katherine Bradford,
  • Karl Bielik,
  • Ky Anderson,
  • Lael Marshall,
  • Laura Charlton,
  • Leeza Doreian,
  • Lina Jabbour,
  • Lydia Rump,
  • Matthew Deleget,
  • Marion Piper,
  • Mandy Lyn Ford,
  • Marie-Claude Bugeaud,
  • Mark Sengbusch,
  • Meg Lipke,
  • Michael Voss,
  • Michel Barjol,
  • Niall De Buitléar,
  • Oriane Stender,
  • Paul Pagk,
  • Patrice Pantin,
  • Pete Schulte,
  • Peter Shear,
  • Rieko Koga,
  • Robert Otto Epstein,
  • Rosaire Appel,
  • Ruri Yi,
  • Tilman Hoepfl,
  • Ward Schumaker,
  • Yoav Efrati,
  • Opens: Aug. 12, 2016
  • Closes: Sep. 11, 2016
  • Reception: Aug. 12, 2016
  • Hours: 6 - 9pm
  • Admission: free

Walk the Line

  • RENÉ VAN DEN BOS,
  • RENÉ EICKE,
  • RICHARD VAN DER AA,
  • Jasper van der Graaf,
  • GUIDO WINKLER,
  • Jason Hughes,
  • Opens: Oct. 20, 2016
  • Closes: Oct. 23, 2016
  • Reception: Oct. 21, 2016
  • Hours: 6 - 8pm
  • Admission: free

OPPLER

  • Steven Baris,
  • Richard Bottwin,
  • Edgar Diehl,
  • Kevin Finklea,
  • Brent Hallard,
  • José Heerkens,
  • Gilbert Hsiao,
  • Gracia Khouw,
  • Sarah Klein,
  • Stephen Maine,
  • Gay Outlaw,
  • Debra Ramsay,
  • Albert Roskam,
  • Karen Schifano,
  • Iemke van Dijk,
  • Henriëtte van 't Hoog,
  • Ruth van Veenen,
  • Don Voisine,
  • Nancy White,
  • GUIDO WINKLER,
  • Patricia Zarate,
  • Opens: Mar. 31, 2017
  • Closes: May. 07, 2017
  • Reception: Mar. 31, 2017
  • Hours: 6 - 9pm
  • Admission: free

Photo II

  • Eli Durst,
  • Lindsay Metivier,
  • Erin O'Keefe,
  • Irina Rozovsky,
  • Opens: Jan. 06, 2017
  • Closes: Feb. 12, 2017
  • Reception: Jan. 06, 2017
  • Hours: 6 - 9pm
  • Admission: free

When

Oct 30 - Dec 06, 2015

  • Reception: Oct 30, 6 - 9pm

Where

Transmitter

  • 1329 Willoughby Ave, 2A, NY 11237 Map
  • 917.881.3576

About

Painting More or Less.. is an exhibition featuring artists from the US and abroad who use minimalist or maximalist, reductive or accumulative approaches in their painting practices.

Aimée Terburg (NL)
Alain Biltereyst (BE)
Chris Fennell (USA)
Danielle Mysliwiec (USA)
Emma Langridge (AUS)
Michael Rouillard (USA)
Shawn Stipling (UK)

The basis of painting is mark-making. Because of the enormous variety of approaches to mark-making throughout painting’s history, the mark-makers of today have a huge number of possibilities to choose from for inspiration and example.
The idea that everything has already been done in painting can therefore be viewed as liberating - advancing the notion that anything is possible and all is available, without the need for invention and without the constraints and condemnation that grew out of the critique of modernism.
On a larger scale, the Hegelian dialectic, thesis - antithesis - synthesis, is now obsolete. Hegel’s cultural formations of consciousness now play out on a micro level within the individual artist’s studio, with each artist’s highly subjective point of view as the only guiding measure. This consequently becomes a pattern in and of itself to be brought into the continuum of categorized history.

The painters in Painting More or Less.. employ seemingly opposing responses to painting - their mark making is presented with either a multitude of elements or a more limited number. These divergent approaches contributes to a wide array of possibilities informed only by each artist’s personal decisions and cumulative individual experiences, rather than the urge to conform to the latest currents.

Aimée Terburg uses chance and broad, sweeping gestures to create subtle changes in color and texture, highlighting the autonomy of each decision and each element within her paintings.
The graphic elements of Alain Biltereyst’s modestly sized abstractions have their basis in his everyday environment. Deliberate errors in paint application together with the pictures’ small size emphasize a subjectivity that resonates as a highly personal deviation from the familiar modes of hard-edge abstraction.
Chris Fennell utilizes a paper appliqué process to create radiating surfaces. Repeating rows of dots visually connect and morph from single units into optical networks that often allude to patterns found in nature.
Danielle Myzliwiec uses special tools to extrude paint onto her substrate in order to create sculptural elements. These literal forms, extending beyond the picture plane, upset the traditional understanding of painting as a receding spatial illusion.
The paintings of Emma Langridge reveal themselves at the end of her process, which consists of making numerous precise linear incisions in an applied film, and separating the positive and negative space. Bleeding paint and other anomalies that come out of the process are indicative of the artist’s hand, creating a refreshing counterpoint to her precise methodology.
With few elements, Michael Rouillard distills the basics of painting. Quadrants and grids are constructed with single or double lines whose intersections are emphasized with high contrast, usually in black. The spareness of the work highlights the subtle differences in varying shades of white and sizes of lines that make the compositions a play of variations on a theme.
Shawn Stipling makes precise spatial articulations on built up monochromatic surfaces that eliminate the evidence of the artist’s hand by reducing the appearance of brush marks. This suppression of touch focuses attention on to the minute details and intimate spaces, drawing the viewer closer to the artist.

The dual premise of this exhibition emphasizes that it is possible and permissible to have opposing elements in the same room; divergent thoughts that widen the discussion. Vastly different starting points, vanishing points, emphases, methodologies, aims, and perspectives, when taken together, broaden the spectrum and enliven the conversation instead of narrowing it into linear convention.


Top