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Transmitter

Each Ellipse Includes a Point

  • JANINE BIUNNO,
  • EMMY MIKELSON,
  • PARSLEY STEINWEISS
  • 6ce5aedc ddfd 45af ed5e 060d9f8fb076
    Emmy Mikelson, Threshold Composition no. 20, 2014

Press for Each Ellipse Includes a Point

Current Exhibitions at Transmitter


Stupid Cartoons to Pass the Time in the Desert

  • Joey Parlett,
  • Stephanie Snider,
  • Adam Douglas Thompson,
  • Crys Yin,
  • Opens: Jan. 08, 2016
  • Closes: Feb. 14, 2016
  • Reception: Jan. 08, 2016
  • Hours: 6 - 9pm
  • Admission: free

Spooky Laughter at a Distance

  • JENNIFER GRIMYSER,
  • TODD KELLY,
  • BEN PEDERSON,
  • Opens: May. 22, 2015
  • Closes: Jun. 28, 2015
  • Reception: May. 22, 2015
  • Hours: 6 - 9pm
  • Admission: free

Transmitter presents: The Model Reader

  • PAUL GAGNER,
  • ALEX GINGROW,
  • MEGAN HAYS,
  • ELLE PEREZ,
  • DEVIN POWERS,
  • Opens: Jun. 05, 2015
  • Closes: Jun. 28, 2015
  • Reception: Jun. 05, 2015
  • Hours: 6 - 9pm
  • Admission: free

Transmitter presents an offsite exhibition at Space Available: Video Archipelago

  • JANAYE BROWN,
  • HARLAN CRICHTON,
  • MILTON MELVIN CROISSANT III,
  • BJÖRN MEYER-EBRECHT,
  • CHRISTINE ROGERS,
  • JENNIFER SULLIVAN,
  • BENJAMIN TIVEN,
  • Opens: Sep. 19, 2015
  • Closes: Oct. 25, 2015
  • Reception: Sep. 19, 2015
  • Hours: 6 - 9pm
  • Admission: free

Cost-Benefit Analysis: A Survey Exhibition of Baltimore Artists To Be Donated to the Baltimore Museum of Art (BMA)

  • John Bohl,
  • Amy Boone-McCreesh,
  • Lisa Dillin,
  • Terence Hannum,
  • Jason Hughes,
  • Andrew Laumann,
  • Jacqueline Maria Milad,
  • Steve Riddle,
  • Opens: Sep. 18, 2015
  • Closes: Oct. 25, 2015
  • Reception: Sep. 18, 2015
  • Hours: 6 - 9pm
  • Admission: free

An Introduction

  • STEPHEN HILGER,
  • JOSEPH LAWTON,
  • PAUL MCDONOUGH,
  • SERGIO PURTELL,
  • Opens: Oct. 28, 2016
  • Closes: Dec. 04, 2016
  • Reception: Oct. 28, 2016
  • Hours: 6 - 9pm
  • Admission: free

ABSTRACT WALL PAINTINGS III #DESTIJL100YEARS

  • Jean Frater,
  • Rico Gatson,
  • Jim Osman,
  • Karen Schiele,
  • Karen Schifano,
  • Mark Sengbusch,
  • Opens: May. 12, 2017
  • Closes: Jun. 18, 2017
  • Reception: May. 12, 2017
  • Hours: 6 - 8pm
  • Admission: free

Rules of the Game

  • Palma Blank,
  • Amanda Browder,
  • Paul Corio,
  • JEAN ALEXANDER FRATER,
  • Ben McNutt,
  • Michael Namkung,
  • Norm Paris,
  • Derrick Velasquez,
  • Opens: Jul. 08, 2016
  • Closes: Aug. 07, 2016
  • Reception: Jul. 08, 2016
  • Hours: 6 - 8pm
  • Admission: free

Painting: More or Less..

  • Aimée Terburg (NL),
  • Alain Biltereyst (BE),
  • Chris Fennell (USA),
  • Danielle Mysliwiec (USA),
  • Emma Langridge (AUS),
  • Michael Rouillard (USA),
  • Shawn Stipling (UK),
  • Opens: Oct. 30, 2015
  • Closes: Dec. 06, 2015
  • Reception: Oct. 30, 2015
  • Hours: 6 - 9pm
  • Admission: free

Each Ellipse Includes a Point

  • JANINE BIUNNO,
  • EMMY MIKELSON,
  • PARSLEY STEINWEISS
  • Opens: Aug. 14, 2015
  • Closes: Sep. 13, 2015
  • Reception: Aug. 14, 2015
  • Hours: 6 - 9pm
  • Admission: free

OVER TIME ACROSS SPACE: a collaboration in thread, paper, ink, paint, cotton, mail, and phone calls.

  • Kim Bennett,
  • Chris Hosea,
  • Opens: Jul. 10, 2015
  • Closes: Aug. 09, 2015
  • Reception: Jul. 10, 2015
  • Hours: 6 - 9pm
  • Admission: free

Every Number is One: A Whole in Three Parts Composed of Twenty-Four Stages of Difference or How Can We Know the Moon if We Never See its Dark Side?

  • Mariana Garibay Raeke,
  • Opens: Dec. 11, 2015
  • Closes: Dec. 20, 2015
  • Reception: Dec. 11, 2015
  • Hours: 6 - 9pm
  • Admission: free

Publish or Perish

  • Benoît Broisat,
  • Sessa Englund,
  • David Horvitz,
  • Farah Khelil + Antoine Lefebvre Editions,
  • Nicole Reber,
  • Paul Soulellis,
  • Opens: Apr. 01, 2016
  • Closes: May. 08, 2016
  • Reception: Apr. 01, 2016
  • Hours: 6 - 9pm
  • Admission: free

Not Invited...

  • London Kaye,
  • Niels Post,
  • Victoria Scott,
  • Emmanuel Sevilla,
  • Opens: May. 13, 2016
  • Closes: Jun. 26, 2016
  • Reception: May. 13, 2016
  • Hours: 6 - 9pm
  • Admission: free

Portals

  • JENNY LEE,
  • SUSAN WIDES,
  • JOSHUA SEVITS,
  • MEREDITH HOFFHEINS,
  • CHRISTOPHER BERTHOLF,
  • KAT CHAMBERLIN,
  • MAUREEN DRENNAN,
  • SHARONA ELIASSAF,
  • PAUL METRINKO,
  • Opens: Aug. 04, 2017
  • Closes: Sep. 10, 2017
  • Reception: Aug. 04, 2017
  • Hours: 6 - 9pm
  • Admission: free

Waterlogged

  • Erik Benson,
  • Jon Elliot,
  • Frank Webster,
  • Opens: Sep. 16, 2016
  • Closes: Oct. 16, 2016
  • Reception: Sep. 16, 2016
  • Hours: 6 - 8pm
  • Admission: free

A Panel on Photography’s Relationship to Painting

  • Jacob Cartwright,
  • Erin O'Keefe,
  • Rob de Oude,
  • Carl Gunhouse,
  • Opens: Feb. 01, 2017
  • Closes: Feb. 01, 2017
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Faulted Valley Fog

  • Katie Bell,
  • Elliott Green,
  • Kevin Cooley and Phillip Andrew Lewis,
  • Opens: Feb. 19, 2016
  • Closes: Mar. 20, 2016
  • Reception: Feb. 19, 2016
  • Hours: 6 - 9pm
  • Admission: free

Remainders

  • Justin Amrhein,
  • Colette Robbins,
  • Opens: Feb. 17, 2017
  • Closes: Mar. 26, 2017
  • Reception: Feb. 24, 2017
  • Hours: 6 - 9pm
  • Admission: free

After the Feast

  • Joshua Liebowitz,
  • Opens: Dec. 09, 2016
  • Closes: Dec. 18, 2016
  • Reception: Dec. 09, 2016
  • Hours: 6 - 8pm
  • Admission: free

The Black & White Project

  • Alain Biltereyst,
  • Andrew Seto,
  • Armelle De Sainte Marie,
  • Béatrice Beha,
  • Ben Alper,
  • Benjamin Gardner,
  • Brian Cypher,
  • Brian Edmonds,
  • Brynn Higgins-Stirrup,
  • Catherine Haggarty,
  • Christine Mahoney,
  • Claire Colin-Collin,
  • Daniel G. Hill,
  • David Rhodes,
  • Didier Petit,
  • Don Voisine,
  • DotsToLines,
  • Emily Noelle Lambert,
  • Eve Aschheim,
  • Espen Erichsen,
  • Gabriele Herzog,
  • Gary Petersen,
  • Guy Yanai,
  • Heidi Pollard,
  • Ian White Williams,
  • Izabela Kowalczyk,
  • Jasper van der Graaf,
  • Jeremie Delhome,
  • Jérémy Laffon,
  • Joris Brantuas,
  • Justine Frischmann,
  • Katherine Bradford,
  • Karl Bielik,
  • Ky Anderson,
  • Lael Marshall,
  • Laura Charlton,
  • Leeza Doreian,
  • Lina Jabbour,
  • Lydia Rump,
  • Matthew Deleget,
  • Marion Piper,
  • Mandy Lyn Ford,
  • Marie-Claude Bugeaud,
  • Mark Sengbusch,
  • Meg Lipke,
  • Michael Voss,
  • Michel Barjol,
  • Niall De Buitléar,
  • Oriane Stender,
  • Paul Pagk,
  • Patrice Pantin,
  • Pete Schulte,
  • Peter Shear,
  • Rieko Koga,
  • Robert Otto Epstein,
  • Rosaire Appel,
  • Ruri Yi,
  • Tilman Hoepfl,
  • Ward Schumaker,
  • Yoav Efrati,
  • Opens: Aug. 12, 2016
  • Closes: Sep. 11, 2016
  • Reception: Aug. 12, 2016
  • Hours: 6 - 9pm
  • Admission: free

Walk the Line

  • RENÉ VAN DEN BOS,
  • RENÉ EICKE,
  • RICHARD VAN DER AA,
  • Jasper van der Graaf,
  • GUIDO WINKLER,
  • Jason Hughes,
  • Opens: Oct. 20, 2016
  • Closes: Oct. 23, 2016
  • Reception: Oct. 21, 2016
  • Hours: 6 - 8pm
  • Admission: free

OPPLER

  • Steven Baris,
  • Richard Bottwin,
  • Edgar Diehl,
  • Kevin Finklea,
  • Brent Hallard,
  • José Heerkens,
  • Gilbert Hsiao,
  • Gracia Khouw,
  • Sarah Klein,
  • Stephen Maine,
  • Gay Outlaw,
  • Debra Ramsay,
  • Albert Roskam,
  • Karen Schifano,
  • Iemke van Dijk,
  • Henriëtte van 't Hoog,
  • Ruth van Veenen,
  • Don Voisine,
  • Nancy White,
  • GUIDO WINKLER,
  • Patricia Zarate,
  • Opens: Mar. 31, 2017
  • Closes: May. 07, 2017
  • Reception: Mar. 31, 2017
  • Hours: 6 - 9pm
  • Admission: free

Photo II

  • Eli Durst,
  • Lindsay Metivier,
  • Erin O'Keefe,
  • Irina Rozovsky,
  • Opens: Jan. 06, 2017
  • Closes: Feb. 12, 2017
  • Reception: Jan. 06, 2017
  • Hours: 6 - 9pm
  • Admission: free

Armature: New Paintings by Liz Ainslie

  • Liz Ainslie,
  • Opens: Jun. 23, 2017
  • Closes: Jul. 30, 2017
  • Reception: Jun. 23, 2017
  • Hours: 6 - 9pm
  • Admission: free

When

Aug 14 - Sep 13, 2015

  • Reception: Aug 14, 6 - 9pm

Where

Transmitter

  • 1329 Willoughby Ave, 2A, NY 11237 Map
  • 917.881.3576

About

The work in this exhibition deals with transitions, boundaries, and voids, drawing attention to the liminal spaces in-between reality and illusion, as a means to destabilize the perception of physical space, digital representation, and architecture.

Both materially and conceptually, the artists in this show are engaged with questions of synthetic imitation, copying, reproduction, subjectivity, perception, boundaries, physical relationships and the after-image.

Emmy Mikelson’s ongoing painting series titled "Threshold Compositions," is influenced by Piranesi's Carceri d'Invenzione—a fantastical series of dizzying prison architecture— and the emergent philosophy of Speculative Realism. The paintings embrace slowness and the residual trace of process whereby each action persists as an after-image. The work utilizes an analog method of parametric design to build up multi-layered compositions. Certain parameters and rules are set forth and punctuated with incremental organic shifts. The illusionistic patches of "fur" serve to disrupt the abstract geometric field. The fur infuses the hard-edged spaces with a bodily presence; it is both a surrogate for living flesh as well as the fractured or broken body. Within all these layers is the latent energy of an ever shifting and morphing terrain. These works are meant to hover between the familiar and unfamiliar; they point to an unstable and hallucinogenic space where the distinctions between buildings, bodies, skin and sky have dissolved.

Emmy Mikelson lives and works in Brooklyn, NY and is originally from Waterloo, IA. She received her BFA from the University of Iowa and her MFA from Hunter College. Her work has been exhibited nationally and internationally and recently received the Italian award the 2014 Celeste Prize in Painting. Her paintings have appeared in the magazines Fresh Paint, Paint Pulse, 491 and The Round: A Journal of Literary and Visual Arts (Brown University). She has also published text and paintings in the architecture journals Nova Organa, KTISMA, T3xture, Moinopolis, among others. She has been an invited speaker at Parsons the New School for Design; Maysles Cinema, Harlem, NY; Pace University, NYC; and she was a guest curator for the James Gallery at the City University of New York Graduate Center. She currently teaches in the Fine and Performing Arts Department at Baruch College, CUNY.

Janine Biunno’s work examines the relationship between how we read digitally represented space and how that information influences our understanding of the cities we occupy. While the architectural space in her work is given a marked iconic quality through its reference to well-known landmarks, the static image of these structures is opened up and the viewer is invited to travel within them. Transforming fixed image into fluid architectural space, the work is animated by a process of parallax between the viewer’s actual and perceptual movement, the represented architecture, and the work of art. Similarly, our newfound capabilities to explore space via digital means presents us with another perspective for experiencing and interpreting the built environment. Our relationships with familiar locations have been altered and the disconnect between physically experienced space and virtually explored space has been widened, yet we are familiar with more places than ever before.

Janine Biunno is a visual artist based in Brooklyn, NY whose work typically analyzes and interprets the semiotics of the built environment. Janine's artwork addresses the subjective practice of understanding and representing the architecture, infrastructure and density of urban space, and how our general perception of those physical spaces is altered due to the increasing influence of the digital realm. Janine's work primarily manifests itself two-dimensionally, as prints, drawings, books and other works on paper. Janine received her BFA from Carnegie Mellon University and MFA from Tufts University in conjunction with the School of the Museum of Fine Arts, Boston. When not making art, Janine works with world-renowned architect, Steven Holl, as the Director of Publications, Exhibitions, and Archives.

Parsley Steinweiss’s work deals with both the physical and conceptual nature of photography, and she uses the medium to play with ideas of perception, materiality, color, light and illusion. The photographs are often of materials that are used in making: wood, marble, paper, etc., which she then uses as raw materials that can then be torn, painted on, cut and folded. The manipulation of the prints exposes the physical nature of the photograph itself, as well as the material it is trying to imitate, revealing its simultaneous existence as image and object. She then integrates the photos with “real” materials, like wood, paint, cork, or plexiglass to enact a series of self-reflexive inversions of materiality and its representation.

Parsley Steinweiss deals with both the physical and conceptual nature of photography by playing with ideas of perception, materiality, color, light and illusion. Born and raised in New York City, she got her BA from Sarah Lawrence College and received her MFA from SUNY Purchase. She has appeared in a number of exhibitions in New York, L.A. and Canada. She has also been featured in the Humble Arts Foundation’s The Collector’s Guide to Emerging Art Photography and written about in PDN’s Emerging Photographer magazine. She was a winner of the 2009 Hey Hot Shot competition at Jen Bekman Gallery. She currently lives and works in Brooklyn, NY.


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