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Owen James Gallery

Concavity

  • Rachael Gorchov
  • 78c3c67b 0539 427b ca65 86f04bd51012
    Rachael Gorchov,

Press for Concavity

Current Exhibitions at Owen James Gallery


The Sun Also Rises

  • CHIAOZZA,
  • Jon Cowan,
  • Phillip Guston,
  • Jasper Johns,
  • Ellsworth Kelly,
  • Sol LeWitt,
  • Mark Mann,
  • Robert Mangold,
  • Elin Rødseth,
  • Yasmin Sison,
  • Opens: May. 20, 2020
  • Closes: Jul. 20, 2020
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Concavity

  • Rachael Gorchov
  • Opens: Jun. 11, 2020
  • Closes: Aug. 01, 2020
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Concave

  • Rachael Gorchov
  • Opens: Mar. 19, 2020
  • Closes: May. 16, 2020
  • Reception: Mar. 19, 2020
  • Hours: 6 - 8pm
  • Admission: free

David Kramer: Essential Oils

  • David Kramer,
  • Opens: Jan. 09, 2020
  • Closes: Mar. 07, 2020
  • Reception: Jan. 09, 2020
  • Hours: 6 - 8pm
  • Admission: free

The Trunk Show

  • Danny Licul,
  • Björn Meyer-Ebrecht,
  • Jonathan Cowan,
  • Mark Mann,
  • Rachael Gorchov
  • CHIAOZZA,
  • Mariano Ching,
  • Karen Marston,
  • Sue Stone,
  • Opens: Nov. 15, 2019
  • Closes: Dec. 21, 2019
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Cascades & Crescendos

  • CHIAOZZA,
  • Opens: Sep. 12, 2019
  • Closes: Nov. 02, 2019
  • Reception: Sep. 12, 2019
  • Hours: 6 - 8pm
  • Admission: free

Gary Gissler / Huston Ripley

  • Gary Gissler,
  • Huston Ripley,
  • Opens: Jun. 13, 2019
  • Closes: Aug. 03, 2019
  • Reception: Aug. 01, 2019
  • Hours: 5 - 8pm
  • Admission: free

Gary Gissler / Huston Ripley

  • Gary Gissler,
  • Huston Ripley,
  • Opens: Jun. 13, 2019
  • Closes: Aug. 03, 2019
  • Reception: Jun. 13, 2019
  • Hours: 6 - 8pm
  • Admission: free

Uprising

  • Björn Meyer-Ebrecht,
  • Opens: Apr. 04, 2019
  • Closes: Jun. 01, 2019
  • Reception: Apr. 04, 2019
  • Hours: 6 - 8pm
  • Admission: free

The Thick Lines Between Here and There

  • Angkrit Ajchariyasophon,
  • Thaiwijit Puengkasemsomboon,
  • Mit Jai Inn,
  • Somluck Pantiboon,
  • Franz West,
  • Robert Rauschenberg,
  • Richard Tuttle,
  • Robert Mangold,
  • Richard Long,
  • Gary Stephan,
  • Larry Zox,
  • Sam Francis,
  • Robert Motherwell,
  • Opens: Oct. 25, 2018
  • Closes: Dec. 08, 2018
  • Reception: Oct. 25, 2018
  • Hours: 6 - 8pm
  • Admission: free

Age of Enfrightenment

  • David Sandlin,
  • Opens: Sep. 05, 2018
  • Closes: Oct. 13, 2018
  • Reception: Sep. 05, 2018
  • Hours: 6 - 8pm
  • Admission: free

O Uncolored People

  • Mark Mann,
  • Opens: May. 17, 2018
  • Closes: Jun. 30, 2018
  • Reception: May. 17, 2018
  • Hours: 6 - 8pm
  • Admission: free

Harbingers

  • Karen Marston,
  • Opens: Mar. 22, 2018
  • Closes: Apr. 21, 2018
  • Reception: Mar. 22, 2018
  • Hours: 6 - 8pm
  • Admission: free

China Marks

  • China Marks,
  • Opens: Feb. 15, 2018
  • Closes: Mar. 17, 2018
  • Reception: Feb. 15, 2018
  • Hours: 6 - 8pm
  • Admission: free

Kenzan Tsutakawa-Chinn

  • Kenzan Tsutakawa-Chinn,
  • Opens: Nov. 17, 2017
  • Closes: Dec. 17, 2017
  • Reception: Nov. 17, 2017
  • Hours: 6 - 9pm
  • Admission: free

Malady of Association

  • Dina Gadia,
  • Opens: Oct. 13, 2017
  • Closes: Nov. 12, 2017
  • Reception: Oct. 27, 2017
  • Hours: 6 - 9pm
  • Admission: free

Weaving Light

  • Takuji Hamanaka,
  • Opens: Sep. 08, 2017
  • Closes: Oct. 08, 2017
  • Reception: Sep. 08, 2017
  • Hours: 6 - 9pm
  • Admission: free

310E44R822

  • Dex Fernandez,
  • Opens: Oct. 30, 2015
  • Closes: Nov. 29, 2015
  • Reception: Oct. 30, 2015
  • Hours: 6 - 8pm
  • Admission: free

Strange Days

  • Mariano Ching,
  • Robert Langenegger,
  • Danny Licul,
  • Opens: Sep. 18, 2015
  • Closes: Oct. 17, 2015
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

There's A Bluebird In My Heart

  • Charles Bukowski,
  • Walter Robinson,
  • Opens: Apr. 08, 2016
  • Closes: May. 14, 2016
  • Reception: Apr. 08, 2016
  • Hours: 6 - 8pm
  • Admission: free

PHUNK

  • PHUNK,
  • Opens: Sep. 16, 2016
  • Closes: Oct. 16, 2016
  • Reception: Sep. 16, 2016
  • Hours: 6 - 8pm
  • Admission: free

Demeter's Wrath

  • Karen Marston,
  • Opens: May. 20, 2016
  • Closes: Jun. 26, 2016
  • Reception: May. 20, 2016
  • Hours: 6 - 8pm
  • Admission: free

Structural Constellations

  • Björn Meyer-Ebrecht,
  • Opens: Feb. 24, 2017
  • Closes: Mar. 19, 2017
  • Reception: Feb. 24, 2017
  • Hours: 6 - 9pm
  • Admission: free

Play Ground

  • Nikki Luna,
  • Opens: Oct. 28, 2016
  • Closes: Nov. 30, 2016
  • Reception: Oct. 28, 2016
  • Hours: 6 - 9pm
  • Admission: free

Organic Geometry

  • Rachael Gorchov
  • Opens: Mar. 24, 2017
  • Closes: Apr. 23, 2017
  • Reception: Mar. 24, 2017
  • Hours: 6 - 9pm
  • Admission: free

Displaced

  • Sue Stone,
  • Opens: Apr. 28, 2017
  • Closes: May. 28, 2017
  • Reception: Apr. 28, 2017
  • Hours: 6 - 9pm
  • Admission: free

Wall Works

  • CHIAOZZA,
  • Opens: Jun. 09, 2017
  • Closes: Jul. 23, 2017
  • Reception: Jun. 09, 2017
  • Hours: 6 - 9pm
  • Admission: free

When

Jun 11 - Aug 01, 2020


Where

Owen James Gallery

  • 59 Wooster Street, 2nd floor, New York NY 10012 Map
  • 718.395.4874

About

In March of 2020, the Covid pandemic forced our gallery to close on the eve of Rachael Gorchov’s solo exhibition Concave. In the ensuing months, the gallery sat devoid of people yet full of beautiful artwork nobody was allowed to see, and Gorchov self-quarantined at home. Teaching virtually, conversing with friends over Zoom, eventually she was able to start making work again in this strange new environment. The gallery has decided that an exhibition locked away from the public is a deprivation to both artist and the art community at large. Therefore, we have decided to reformat and restart Rachael Gorchov’s exhibition in a new, correlative exhibit: Concavity. As the gallery slowly reopens, Concavity recombines elements of Gorchov’s previous show with work that has been made during, and in response to, the ongoing crises in the world today.


Previously, in Concave, Gorchov’s presentation was based around her series of three-dimensional objects that are both abstract and representational, existing somewhere between painting and sculpture. Vibrantly colored patterns adorn these irregular concave shapes, inside which the artist embeds additional visual elements. There is an autobiographical aspect to the images that Gorchov depicts, which are based on the artist’s notebook drawings. Some are architectural details made during a 2017 trip to Vienna, visiting the sites where over 30 synagogues used to stand before their destruction in the Nazi era. Some are art-historical details of artifacts made during an academic trip to the sites and museums of Egypt. Some drawings record the artworks her own art students make. Others are depictions of the hospital Gorchov explored while her late stepfather battled cancer.


This notion of the very personal combined with an artist’s aesthetic experimentation within structures is furthered in the exhibition’s reincarnation. Here, new aspects and approaches compliment the earlier works, building up and unfolding a sense of before and now, and cataloging in real time an artist’s responses. Two differences are clear in the new work. Gorchov’s painted forms are now flattened, collaged structures, reflecting the limited immediacy of the recent period. They still exude brilliant colors and patterns, in much the same way as the paper paintings that are the basis of the vinyl sticker “shadows” of the concave works. These forms, however, manifest their frontality. They can also be seen as physical bridges and compliments to Gorchov’s new drawings, which represent a rare glimpse into another aspect of her work: portraiture. These charcoal drawings are based on screen-captures of numerous recent internet video meetings and conversations with other artists, family and friends. The portraits are intimate and unguarded; they are not poses, but brief moments of conversation and connection. They speak to the natural desire to break out of isolation, to remain connected and inspired.

This sense of raw, emotional comfort compliments the earlier concave works, which allow visitors to become embraced by the form. From afar, they are colorful enigmas. As one approaches them, and is enveloped by them, they are in some ways protected by them. As Rachael Gorchov continued to make the new works in her home studio, many cities in America suddenly burst open with the urgent protests promoting the racial justice movement, something both this artist and gallery strongly believe in. In this evolving context, the portraits can also be seen as testament to the variety and diversity of our modern world, and the interconnectivity of all colors and genders and orientations. What had started as an artistic struggle to maintain hope in a time of isolation can also stand as a contribution to strengthening our collective equanimity.


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