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Yancey Richardson Gallery

Oldenburgs

  • Sharon Core

Press for Oldenburgs

Current Exhibitions at Yancey Richardson Gallery


Project Gallery: East Meets West

  • Tseng Kwong Chi,
  • Opens: Feb. 13, 2020
  • Closes: Apr. 04, 2020
  • Reception: Feb. 13, 2020
  • Hours: 6 - 8pm
  • Admission: free

Temporarily Censored Home

  • Guanyu Xu,
  • Opens: Feb. 13, 2020
  • Closes: Apr. 04, 2020
  • Reception: Feb. 13, 2020
  • Hours: 6 - 8pm
  • Admission: free

Itteki

  • Yamamoto Masao,
  • Opens: Dec. 12, 2019
  • Closes: Feb. 08, 2020
  • Reception: Dec. 12, 2019
  • Hours: 6 - 8pm
  • Admission: free

Just So

  • David Hilliard,
  • Opens: Oct. 24, 2019
  • Closes: Dec. 07, 2019
  • Reception: Oct. 24, 2019
  • Hours: 6 - 8pm
  • Admission: free

To Want for Nothing

  • Laura Letinsky,
  • Opens: Sep. 12, 2019
  • Closes: Oct. 19, 2019
  • Reception: Sep. 12, 2019
  • Hours: 6 - 8pm
  • Admission: free

Transcript - Yale MFA Photography 2019 Thesis Show

  • Sara Abbaspour,
  • Genesis Báez,
  • Molly Berman,
  • Felix Davey,
  • Brian Galderisi,
  • Rodrigo López,
  • Kaitlin Maxwell,
  • Chase Middleton,
  • Angel Pedro,
  • Kanthy Peng,
  • Opens: Jul. 11, 2019
  • Closes: Aug. 23, 2019
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Oldenburgs

  • Sharon Core
  • Opens: May. 16, 2019
  • Closes: Jul. 03, 2019
  • Reception: May. 16, 2019
  • Hours: 6 - 8pm
  • Admission: free

Land Mark

  • Victoria Sambunaris,
  • Opens: Apr. 11, 2019
  • Closes: May. 11, 2019
  • Reception: Apr. 11, 2019
  • Hours: 6 - 8pm
  • Admission: free

Domestic Theater

  • Larry Sultan,
  • Opens: Feb. 21, 2019
  • Closes: Apr. 06, 2019
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Blue Sweep

  • Andrew Moore,
  • Opens: Dec. 13, 2018
  • Closes: Feb. 09, 2019
  • Reception: Dec. 13, 2018
  • Hours: 6 - 8pm
  • Admission: free

Project Gallery: Halos

  • Rachel Perry,
  • Opens: Oct. 25, 2018
  • Closes: Dec. 08, 2018
  • Reception: Oct. 25, 2018
  • Hours: 6 - 8pm
  • Admission: free

Lineations 2

  • Sandi Haber Fifield,
  • Opens: Oct. 25, 2018
  • Closes: Dec. 08, 2018
  • Reception: Oct. 25, 2018
  • Hours: 6 - 8pm
  • Admission: free

Fragile Land

  • Ori Gersht,
  • Opens: Sep. 06, 2018
  • Closes: Oct. 20, 2018
  • Reception: Sep. 06, 2018
  • Hours: 6 - 8pm
  • Admission: free

Interventions

  • John Baldessari,
  • Mary Ellen Bartley,
  • Marco Breuer,
  • Moyra Davey,
  • Jay DeFeo,
  • Sandi Haber Fifield,
  • Bryan Graf,
  • Nicholas Hall,
  • Pello Irazu,
  • Matthew Jensen,
  • Kenneth Josephson,
  • Kensuke Koike,
  • Elad Lassry,
  • Mary Lum,
  • Joseph Maida,
  • Chris McCaw,
  • Vik Muniz,
  • Sarah Hollis Perry & Rachel Perry,
  • Paul Mpagi Sepuya,
  • Erin Shirreff,
  • Alyson Shotz,
  • Doug & Mike Starn,
  • Mickalene Thomas,
  • Masao Yamamoto,
  • Opens: Jul. 11, 2018
  • Closes: Aug. 24, 2018
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Atlas

  • David Maisel,
  • Opens: May. 17, 2018
  • Closes: Jul. 06, 2018
  • Reception: May. 17, 2018
  • Hours: 6 - 8pm
  • Admission: free

Photobooth Pieces [EXTENDED]

  • Jared Bark,
  • Opens: Mar. 29, 2018
  • Closes: May. 12, 2018
  • Reception: Mar. 29, 2018
  • Hours: 6 - 8pm
  • Admission: free

Soundtrack to My Life

  • Rachel Perry,
  • Opens: Feb. 08, 2018
  • Closes: Mar. 24, 2018
  • Reception: Feb. 08, 2018
  • Hours: 6 - 8pm
  • Admission: free

Forest

  • Jitka Hanzlová,
  • Opens: Dec. 14, 2017
  • Closes: Feb. 03, 2018
  • Reception: Dec. 14, 2017
  • Hours: 6 - 8pm
  • Admission: free

Zanele Muholi

  • Zanele Muholi,
  • Opens: Nov. 02, 2017
  • Closes: Dec. 09, 2017
  • Reception: Nov. 02, 2017
  • Hours: 6 - 8pm
  • Admission: free

Truppe Fledermaus & The Carnival at the End of the World

  • Kahn & Selesnick,
  • Opens: May. 15, 2014
  • Closes: Jul. 03, 2014
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Yours, More Pretty

  • Laura Letinsky,
  • Opens: Sep. 04, 2014
  • Closes: Oct. 14, 2014
  • Reception: Sep. 04, 2014
  • Hours: 6 - 8pm
  • Admission: free

Paperbacks

  • Mary Ellen Bartley,
  • Opens: Sep. 04, 2014
  • Closes: Oct. 18, 2014
  • Reception: Sep. 04, 2014
  • Hours: 6 - 8pm
  • Admission: free

Feels Like Real

  • Matthew Jensen,
  • Opens: May. 07, 2015
  • Closes: Jun. 20, 2015
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Prismatic Tracks

  • Bryan Graf,
  • Opens: Oct. 23, 2014
  • Closes: Dec. 06, 2014
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Genesis

  • Sebastiao Salgado,
  • Opens: Dec. 11, 2014
  • Closes: Jan. 24, 2015
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Time Flies

  • Esko Mannikko,
  • Opens: Jan. 29, 2015
  • Closes: Mar. 14, 2015
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

A Room of One's Own

  • Elina Brotherus,
  • Anne Collier,
  • Jay DeFeo,
  • Saul Fletcher,
  • David Gilbert,
  • Bryan Graf,
  • Leslie Hewitt,
  • Pello Irazu,
  • Laura Letinsky,
  • Yamini Nayar,
  • Paul Mpagi Sepuya,
  • Mickalene Thomas,
  • Opens: Jul. 01, 2015
  • Closes: Aug. 21, 2015
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

One to One

  • Jitka Hanzlová,
  • Opens: Mar. 19, 2015
  • Closes: May. 02, 2015
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Chiral Lines

  • Rachel Perry Welty,
  • Opens: Sep. 10, 2015
  • Closes: Oct. 17, 2015
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Somnyama Ngonyama

  • Zanele Muholi,
  • Opens: Oct. 23, 2015
  • Closes: Dec. 05, 2015
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

LUX: The Radiant Sea

  • Group show,
  • Opens: Jul. 14, 2016
  • Closes: Aug. 19, 2016
  • Reception: Jul. 14, 2016
  • Hours: 6 - 8pm
  • Admission: free

Homage: Malkovich and the Masters

  • Sandro Miller,
  • Opens: May. 12, 2016
  • Closes: Jul. 01, 2016
  • Reception: May. 12, 2016
  • Hours: 6 - 8pm
  • Admission: free

Understory

  • Sharon Core
  • Opens: Mar. 24, 2016
  • Closes: May. 07, 2016
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Figures, Grounds and Studies

  • Paul Mpagi Sepuya,
  • Opens: Feb. 02, 2017
  • Closes: Apr. 01, 2017
  • Reception: Feb. 02, 2017
  • Hours: 6 - 8pm
  • Admission: free

Rocks and Clouds

  • Mitch Epstein,
  • Opens: Sep. 08, 2016
  • Closes: Oct. 22, 2016
  • Reception: Sep. 08, 2016
  • Hours: 6 - 8pm
  • Admission: free

The Sun Room

  • Bryan Graf,
  • Opens: Oct. 27, 2016
  • Closes: Dec. 03, 2016
  • Reception: Oct. 27, 2016
  • Hours: 6 - 8pm
  • Admission: free

Masao Yamamoto

  • Masao Yamamoto,
  • Opens: Dec. 08, 2016
  • Closes: Jan. 28, 2017
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

South

  • Mark Steinmetz,
  • Opens: Apr. 06, 2017
  • Closes: May. 13, 2017
  • Reception: Apr. 06, 2017
  • Hours: 6 - 8pm
  • Admission: free

EXTENDED: Nexus

  • Victoria Sambunaris,
  • Opens: May. 18, 2017
  • Closes: Jul. 07, 2017
  • Reception: May. 18, 2017
  • Hours: 6 - 8pm
  • Admission: free

Notions of Home

  • John Baldessari,
  • Tina Barney,
  • Mike Brodie,
  • Amy Elkins,
  • Mitch Epstein,
  • Samuel Gratacap,
  • Jitka Hanzlova,
  • Anthony Hernandez,
  • David Hilliard,
  • Justine Kurland,
  • Lisa Kereszi,
  • Laura Letinsky,
  • Alex MacLean,
  • Esko Mannikko,
  • Andrew Moore,
  • Mark Ruwedel,
  • Sebastiao Salgado,
  • Julius Shulman,
  • Mark Steinmetz,
  • Larry Sultan,
  • Opens: Jul. 12, 2017
  • Closes: Aug. 25, 2017
  • Reception: Jul. 12, 2017
  • Hours: 6 - 8pm
  • Admission: free

Landscapes for the Homeless, and Public Transit

  • Anthony Hernandez,
  • Opens: Sep. 15, 2017
  • Closes: Oct. 21, 2017
  • Reception: Sep. 15, 2017
  • Hours: 6 - 8pm
  • Admission: free

When

May 16 - Jul 03, 2019

  • Reception: May 16, 6 - 8pm

Where

Yancey Richardson Gallery

  • 525 W 22nd St, New York NY 10011 Map
  • 646.230.9610

About

Yancey Richardson Gallery is pleased to present Oldenburgs, an exhibition of new photographs by Sharon Core in which she playfully examines the work of Claes Oldenburg. By transforming Oldenburg’s crudely made sculptures of American food, such as hamburgers, ice cream treats, and slices of pie, into larger-than-life photographs of edible food, these humorous objects are made to appear simultaneously delectable and grotesque. The series represents a continuation of Core’s interest in the relationship between art, food, and the commodification of both.

Oldenburg’s sculptures were first on view at The Store, a storefront he opened in 1961 on the Lower East Side of Manhattan, featuring items for sale that one might find at any corner store, except his were made out of painted plaster. Oldenburg’s inspiration came from the everyday, which he used to question American society’s celebration of consumer culture; similarly, Core is interested in the current obsession with photographing food, or as she describes it, “the representation of food as fetish object”. Speaking of the impetus for the series, Core explains: “The subject of food in photography has become a ubiquitous fixture of personal contemporary life, and I was curious about how a re-framing of Oldenburg’s food sculptures would operate in the present photographic landscape.”

The oversized scale of the photographs serves to heighten their sensorial impact. In Pie a la Mode, 2006/2018, for example, one cannot escape the excess of color and texture; it is as if the cream were melting into the pie before one’s eyes. Yet, there is an uncanny quality to the photograph, caused both by the scale, which allows for a minute level of detail, as well as the overly-saturated colours, which leaves the viewer feeling slightly repelled. Hamburger with Pickle and Tomato Attached, 2006/2018, verges on the surreal. The overly shiny surface of the bun sows seeds of doubt as to whether this is in fact a real burger, and the glossy green of the pickle appear to have been painted.

By photographing recreations of canonical artworks, Core’s series embodies the contradiction that lies at the heart of Oldenburg’s project; each photograph represents both the art object created by Oldenburg and a disposable item of food. Not only this, but the photographs are themselves works of art, which adds another layer of complexity to the series. Core presses on the distinction between original and copy, photograph and sculpture. In a very literal sense, the objects she photographs are more real than Oldenburg’s sculptures, and because of this incite contradictory, visceral feelings of desire and disgust. Core highlights the fetishistic obsession with food in today’s society, drawing an uncomfortable parallel between food and fine art, which ultimately urges us to question the way in which we relate to both.


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