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Van Doren Waxter

Rockers and Pendulums, 1969-1977

  • Harvey Quaytman

Press for Rockers and Pendulums, 1969-1977

Current Exhibitions at Van Doren Waxter


A Tower in the Night Forest

  • Katsura Funakoshi,
  • Opens: Nov. 14, 2019
  • Closes: Jan. 17, 2020
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

In Color: Paintings & Drawings 1997-2007

  • Tom Fairs,
  • Opens: Sep. 10, 2019
  • Closes: Nov. 02, 2019
  • Reception: Sep. 10, 2019
  • Hours: 6 - 8pm
  • Admission: free

This Marram

  • TM Davy,
  • Opens: Sep. 10, 2019
  • Closes: Nov. 02, 2019
  • Reception: Sep. 10, 2019
  • Hours: 6 - 8pm
  • Admission: free

Joshua Nathanson and Erin Jane Nelson

  • Joshua Nathanson,
  • Erin Jane Nelson,
  • Opens: May. 30, 2019
  • Closes: Jul. 12, 2019
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Ocean Park Works on Paper 1978 - 1991

  • Richard Diebenkorn,
  • Opens: May. 01, 2019
  • Closes: Jun. 28, 2019
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Paintings & Works on Paper

  • Moira Dryer,
  • Opens: Apr. 04, 2019
  • Closes: May. 24, 2019
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Painting I Prefer to Know, Works on Canvas from 1950-1958

  • James Brooks,
  • Opens: Mar. 13, 2019
  • Closes: Apr. 27, 2019
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Names will never hurt me

  • Hilary Berseth,
  • Opens: Feb. 21, 2019
  • Closes: Mar. 30, 2019
  • Reception: Feb. 21, 2019
  • Hours: 6 - 8pm
  • Admission: free

2030

  • Brian Rochefort,
  • Opens: Jan. 09, 2019
  • Closes: Feb. 16, 2019
  • Reception: Jan. 09, 2019
  • Hours: 6 - 8pm
  • Admission: free

Starry Sky

  • Douglas Melini,
  • Opens: Nov. 13, 2018
  • Closes: Jan. 12, 2019
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

.....READ ALL ABOUT

  • Gareth Nyandoro,
  • Opens: Nov. 08, 2018
  • Closes: Dec. 21, 2018
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Structures and Landscapes, 1950-1968

  • Hedda Sterne,
  • Opens: Nov. 01, 2018
  • Closes: Dec. 22, 2018
  • Reception: Nov. 01, 2018
  • Hours: 6 - 8pm
  • Admission: free

Rockers and Pendulums, 1969-1977

  • Harvey Quaytman
  • Opens: Oct. 04, 2018
  • Closes: Nov. 03, 2018
  • Reception: Oct. 10, 2018
  • Hours: 6 - 8pm
  • Admission: free

Jeronimo Elespe

  • Jeronimo Elespe,
  • Opens: Sep. 13, 2018
  • Closes: Oct. 27, 2018
  • Reception: Sep. 13, 2018
  • Hours: 6 - 8pm
  • Admission: free

Aiko Hachisuka and John Williams

  • Aiko Hachisuka,
  • John Williams,
  • Opens: Aug. 29, 2018
  • Closes: Sep. 29, 2018
  • Reception: Sep. 05, 2018
  • Hours: 6 - 8pm
  • Admission: free

Gaze

  • Hilary Berseth,
  • Marsha Cottrell,
  • TM Davy,
  • Jeronimo Elespe,
  • Tom Fairs,
  • Judy Fiskin,
  • Joe Goode,
  • Volker Hüller,
  • Ellsworth Kelly,
  • Cameron Martin,
  • Douglas Melini,
  • Valeska Soares,
  • Hedda Sterne,
  • Kevin Zucker,
  • Opens: Aug. 01, 2018
  • Closes: Aug. 30, 2018
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Rolling Orbit: Prints from the 1970s

  • Alan Shields,
  • Opens: May. 17, 2018
  • Closes: Jul. 27, 2018
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Figureheads [EXTENDED]

  • Sarah Peters,
  • Opens: Apr. 27, 2018
  • Closes: Jun. 16, 2018
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Constructions

  • John McLaughlin,
  • Opens: Mar. 28, 2018
  • Closes: May. 11, 2018
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Screen Life

  • Marsha Cottrell,
  • Opens: Mar. 08, 2018
  • Closes: Apr. 21, 2018
  • Reception: Mar. 08, 2018
  • Hours: 6 - 8pm
  • Admission: free

Tonics

  • Volker Hüller,
  • Opens: Jan. 24, 2018
  • Closes: Mar. 23, 2018
  • Reception: Jan. 24, 2018
  • Hours: 6 - 8pm
  • Admission: free

Alan Shields Project

  • Lisa Alvarado,
  • Cheryl Donegan,
  • Aiko Hachisuka,
  • Channing Hansen,
  • Naotaka Hiro,
  • Alan Shields,
  • Martha Tuttle,
  • B. Wurtz,
  • Opens: Jan. 05, 2018
  • Closes: Feb. 24, 2018
  • Reception: Jan. 05, 2018
  • Hours: 6 - 8pm
  • Admission: free

Works on Paper 1955-1967

  • Richard Diebenkorn,
  • Opens: Nov. 08, 2017
  • Closes: Jan. 20, 2018
  • Reception: Nov. 08, 2017
  • Hours: 6 - 8pm
  • Admission: free

Hot Spots

  • Brian Rochefort,
  • Opens: Nov. 03, 2017
  • Closes: Dec. 23, 2017
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Cellophane Grip

  • Evan Nesbit,
  • Opens: Sep. 13, 2017
  • Closes: Oct. 28, 2017
  • Reception: Sep. 13, 2017
  • Hours: 6 - 8pm
  • Admission: free

Annotations, Striations, and Souvenirs

  • Ishmael Randall Weeks,
  • Opens: Sep. 12, 2017
  • Closes: Oct. 28, 2017
  • Reception: Sep. 12, 2017
  • Hours: 6 - 8pm
  • Admission: free

The Healdsburg Years, 1988-1993

  • Richard Diebenkorn,
  • Opens: Nov. 05, 2014
  • Closes: Jan. 16, 2015
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Space Sisters - Work from the 1970's

  • Alan Shields,
  • Opens: Sep. 14, 2016
  • Closes: Oct. 28, 2016
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Summer Group Exhibition: Part I

  • Al Held,
  • Alan Shields,
  • Frank Stella,
  • Opens: Jun. 02, 2014
  • Closes: Jul. 18, 2014
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Summer Group Exhibition: Part II

  • James Brooks,
  • Richard Diebenkorn,
  • Al Held,
  • Manny Farber,
  • Alan Shields,
  • Opens: Jul. 28, 2014
  • Closes: Aug. 29, 2014
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Forgeries

  • Tim Davis,
  • Opens: Sep. 10, 2014
  • Closes: Oct. 31, 2014
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

A New Surrealism: Works from the 1930's

  • Joseph Cornell,
  • Opens: Sep. 10, 2014
  • Closes: Oct. 31, 2014
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Emil Nolde and Die Brücke - Master Drawings New York

  • Erich Heckel,
  • Emil Nolde,
  • Ernst Ludwig Kirchner,
  • Max Pechstein,
  • Karl Schmidt-Rottluff,
  • Opens: Jan. 23, 2015
  • Closes: Feb. 20, 2015
  • Reception: Jan. 23, 2015
  • Hours: 4 - 8pm
  • Admission: free

Familiar World 1942 – 1982

  • James Brooks,
  • Opens: May. 03, 2017
  • Closes: Jun. 23, 2017
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Special Presentation

  • Carl D'Alvia,
  • Opens: May. 06, 2015
  • Closes: Aug. 28, 2015
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Frankenthaler, Rockburne, & Sterne

  • Helen Frankenthaler,
  • Dorothea Rockburne,
  • Hedda Sterne,
  • Opens: Jul. 08, 2015
  • Closes: Aug. 28, 2015
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Special Presentation

  • Eva Lundsager,
  • Opens: Jun. 22, 2015
  • Closes: Jul. 24, 2015
  • Reception: Jun. 23, 2015
  • Hours: 5 - 7pm
  • Admission: free

There's Always Tomorrow

  • Joe Goode,
  • Opens: Feb. 25, 2015
  • Closes: May. 01, 2015
  • Reception: Feb. 25, 2015
  • Hours: 6 - 8pm
  • Admission: free

Particular Paradox

  • Al Held,
  • Opens: May. 06, 2015
  • Closes: Jul. 02, 2015
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Degree of Tilt

  • Jackie Saccoccio,
  • Opens: Sep. 09, 2015
  • Closes: Oct. 23, 2015
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Color(less)

  • Richard Diebenkorn,
  • Michael Goldberg,
  • Arshile Gorky,
  • Al Held,
  • Donald Judd,
  • Franz Kline,
  • Sol LeWitt,
  • Robert Mangold,
  • Robert Motherwell,
  • Dorothea Rockburne,
  • Mark Tobey,
  • Hedda Sterne,
  • Opens: Oct. 28, 2015
  • Closes: Dec. 23, 2015
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Early Color Abstractions 1949-1955

  • Richard Diebenkorn,
  • Opens: Jan. 13, 2016
  • Closes: Mar. 05, 2016
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Brushstrokes - India Ink Drawings from 1960

  • Al Held,
  • Opens: May. 12, 2016
  • Closes: Jul. 08, 2016
  • Reception: May. 12, 2016
  • Hours: 6 - 8pm
  • Admission: free

Machines 1947 – 1951

  • Hedda Sterne,
  • Opens: Mar. 10, 2016
  • Closes: May. 07, 2016
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Other Night Other Light

  • Eva Lundsager,
  • Opens: Jul. 13, 2016
  • Closes: Aug. 26, 2016
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Hone

  • Harvey Quaytman
  • Opens: Feb. 22, 2017
  • Closes: Apr. 28, 2017
  • Reception: Feb. 22, 2017
  • Hours: 6 - 8pm
  • Admission: free

John McLaughlin

  • Marvelous Void,
  • Opens: Nov. 02, 2016
  • Closes: Jan. 07, 2017
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Go Figure

  • James Brooks,
  • Joseph Cornell,
  • Richard Diebenkorn,
  • Philip Guston,
  • Ed Paschke,
  • Hedda Sterne,
  • Kristin Baker,
  • Michael Berryhill,
  • Jeronimo Elespe,
  • Volker Hüller,
  • Sarah Peters,
  • Opens: Jan. 11, 2017
  • Closes: Feb. 18, 2017
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Reticulations

  • Cameron Martin,
  • Opens: Jun. 28, 2017
  • Closes: Aug. 25, 2017
  • Reception: Jun. 28, 2017
  • Hours: 5 - 7pm
  • Admission: free

When

Oct 04 - Nov 03, 2018

  • Reception: Oct 10, 6 - 8pm

Where

Van Doren Waxter

  • 23 E 73rd St, New York, NY 10021, USA Map

About

Van Doren Waxter is pleased to announce Harvey Quaytman: Rockers and Pendulums, 1969-1977 opening October 4 through November 3, 2018 at 195 Chrystie Street. Quaytman, a self-professed “classical modernist”, helped to reshape the trajectory of American painting in the 1960s and 1970s with his monumental shaped canvases and is acknowledged for moving abstract painting into a more sculptural direction.

The curated gallery exhibition, which will include public programming on the artist’s legacy and influence, coincides with the artist’s first full-scale museum retrospective (October 17, 2018-January 27, 2019) at the Berkeley Art Museum and Pacific Film Archive (BAMPFA), CA organized by Apsara DiQuinzio. The highly anticipated survey is accompanied by the most in-depth scholarship to date edited by DiQuinzio (UC Press, 2018), examining the artist’s groundbreaking body of work and formal interests in shape, color, line, pattern, and surface.

The gallery show of six paintings and four works on paper, some of which have rarely been exhibited or reproduced, examines the period following Quaytman’s early exploration of Abstract Expressionism. Having moved from Cambridge, MA where he attended the School of the Museum of Fine Arts and Tufts University, to New York City in 1964, he began to isolate the curvilinear line from earlier work incorporating it into hand-built stretchers of shaped parts balanced one upon the other or attached in tandem to one another. The artist would begin a lifelong experiment with color during this time, and the works evince a range of chromatic effects. Untitled, 1971 is a painting of extraordinary scale (50 x 136 inches) and color in two parts: the shield form painted with wall paper brushes in cobalt blue creating a rough-hewn surface peppered with lumps of pigment delicately situated on points of the separate but attached supporting cradle. The curve of the shield is not symmetrical emphasizing the objectness or otherness of the forms starkly protruding from the wall.

The arc or curve was key to the artist’s intention of creating movement in a static object. The four pendulum paintings in the exhibition are defined by a long neck ending in a foot that seems to set the painting in motion. The tops of the paintings have a perspectival folly implying volume. But as the eye travels to the foot of the painting the surface flattens out. These paintings are ingeniously composed of two forms, painted separately but whose gesture unites them as one. The artist has layered and scraped the surfaces with pigment suspended in Rhoplex with the intention of hiding nothing.

For Quaytman, working on paper was an eventual route to a more scultptural practice. The works on paper in the exhibition are both painted and drawn toggling between intense color and black and white. The painted rocker drawings display careful attention to the edge of the image, which is taped to allow a build-up of layers of paint emphasizing the physical presence of the image on the page. The pendulum drawings, noteworthy for their proximity to human scale, tell a different story. Quaytman uses drawing in charcoal to define a tilted rectangle. Within that form emerges the finished form of the irregularly shaped pendulum paintings. The drawings are mad with balsa wood to give the line a subtle bas relief.

In the artist’s words: ‘My paintings mean to me my victory, inch by inch and year by year, over the arbitrary chaos of visual life. I have slowly taken command of a way of ordering my composition so that with the slightest shift of shaped colored areas I can break symmetry or stasis or even death. My meaning resides in my own victory over the inert.’



One of Quaytman’s daughters and an artist in her own right, R.H Quaytman, has contributed an essay to the new, scholarly catalog accompanying her father’s first posthumous museum retrospective. “+ x, Chapter 34” will be presented at the Solomon R. Guggenheim Museum in conjunction with Hilma af Klint: Paintings for the Future, at the same time as her father Harvey Quaytman’s New York gallery presentation and BAMPFA exhibition. R.H. Quaytman discovered af Klint in 1988 after her father, returning from a trip to Sweden, presented her with a small catalog of the artist’s work.


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