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Van Doren Waxter

Emil Nolde and Die Brücke - Master Drawings New York

  • Erich Heckel,
  • Emil Nolde,
  • Ernst Ludwig Kirchner,
  • Max Pechstein,
  • Karl Schmidt-Rottluff
  • 16d29b79 9feb 4f29 f3f8 1cb0ac02bd38
    Ernst Ludwig Kirchner,

Press for Emil Nolde and Die Brücke - Master Drawings New York

Current Exhibitions at Van Doren Waxter


A Tower in the Night Forest

  • Katsura Funakoshi,
  • Opens: Nov. 14, 2019
  • Closes: Jan. 17, 2020
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

In Color: Paintings & Drawings 1997-2007

  • Tom Fairs,
  • Opens: Sep. 10, 2019
  • Closes: Nov. 02, 2019
  • Reception: Sep. 10, 2019
  • Hours: 6 - 8pm
  • Admission: free

This Marram

  • TM Davy,
  • Opens: Sep. 10, 2019
  • Closes: Nov. 02, 2019
  • Reception: Sep. 10, 2019
  • Hours: 6 - 8pm
  • Admission: free

Joshua Nathanson and Erin Jane Nelson

  • Joshua Nathanson,
  • Erin Jane Nelson,
  • Opens: May. 30, 2019
  • Closes: Jul. 12, 2019
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Ocean Park Works on Paper 1978 - 1991

  • Richard Diebenkorn,
  • Opens: May. 01, 2019
  • Closes: Jun. 28, 2019
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Paintings & Works on Paper

  • Moira Dryer,
  • Opens: Apr. 04, 2019
  • Closes: May. 24, 2019
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Painting I Prefer to Know, Works on Canvas from 1950-1958

  • James Brooks,
  • Opens: Mar. 13, 2019
  • Closes: Apr. 27, 2019
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Names will never hurt me

  • Hilary Berseth,
  • Opens: Feb. 21, 2019
  • Closes: Mar. 30, 2019
  • Reception: Feb. 21, 2019
  • Hours: 6 - 8pm
  • Admission: free

2030

  • Brian Rochefort,
  • Opens: Jan. 09, 2019
  • Closes: Feb. 16, 2019
  • Reception: Jan. 09, 2019
  • Hours: 6 - 8pm
  • Admission: free

Starry Sky

  • Douglas Melini,
  • Opens: Nov. 13, 2018
  • Closes: Jan. 12, 2019
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

.....READ ALL ABOUT

  • Gareth Nyandoro,
  • Opens: Nov. 08, 2018
  • Closes: Dec. 21, 2018
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Structures and Landscapes, 1950-1968

  • Hedda Sterne,
  • Opens: Nov. 01, 2018
  • Closes: Dec. 22, 2018
  • Reception: Nov. 01, 2018
  • Hours: 6 - 8pm
  • Admission: free

Rockers and Pendulums, 1969-1977

  • Harvey Quaytman,
  • Opens: Oct. 04, 2018
  • Closes: Nov. 03, 2018
  • Reception: Oct. 10, 2018
  • Hours: 6 - 8pm
  • Admission: free

Jeronimo Elespe

  • Jeronimo Elespe,
  • Opens: Sep. 13, 2018
  • Closes: Oct. 27, 2018
  • Reception: Sep. 13, 2018
  • Hours: 6 - 8pm
  • Admission: free

Aiko Hachisuka and John Williams

  • Aiko Hachisuka,
  • John Williams,
  • Opens: Aug. 29, 2018
  • Closes: Sep. 29, 2018
  • Reception: Sep. 05, 2018
  • Hours: 6 - 8pm
  • Admission: free

Gaze

  • Hilary Berseth,
  • Marsha Cottrell,
  • TM Davy,
  • Jeronimo Elespe,
  • Tom Fairs,
  • Judy Fiskin,
  • Joe Goode,
  • Volker Hüller,
  • Ellsworth Kelly,
  • Cameron Martin,
  • Douglas Melini,
  • Valeska Soares,
  • Hedda Sterne,
  • Kevin Zucker,
  • Opens: Aug. 01, 2018
  • Closes: Aug. 30, 2018
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Rolling Orbit: Prints from the 1970s

  • Alan Shields,
  • Opens: May. 17, 2018
  • Closes: Jul. 27, 2018
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Figureheads [EXTENDED]

  • Sarah Peters,
  • Opens: Apr. 27, 2018
  • Closes: Jun. 16, 2018
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Constructions

  • John McLaughlin,
  • Opens: Mar. 28, 2018
  • Closes: May. 11, 2018
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Screen Life

  • Marsha Cottrell,
  • Opens: Mar. 08, 2018
  • Closes: Apr. 21, 2018
  • Reception: Mar. 08, 2018
  • Hours: 6 - 8pm
  • Admission: free

Tonics

  • Volker Hüller,
  • Opens: Jan. 24, 2018
  • Closes: Mar. 23, 2018
  • Reception: Jan. 24, 2018
  • Hours: 6 - 8pm
  • Admission: free

Alan Shields Project

  • Lisa Alvarado,
  • Cheryl Donegan,
  • Aiko Hachisuka,
  • Channing Hansen,
  • Naotaka Hiro,
  • Alan Shields,
  • Martha Tuttle,
  • B. Wurtz,
  • Opens: Jan. 05, 2018
  • Closes: Feb. 24, 2018
  • Reception: Jan. 05, 2018
  • Hours: 6 - 8pm
  • Admission: free

Works on Paper 1955-1967

  • Richard Diebenkorn,
  • Opens: Nov. 08, 2017
  • Closes: Jan. 20, 2018
  • Reception: Nov. 08, 2017
  • Hours: 6 - 8pm
  • Admission: free

Hot Spots

  • Brian Rochefort,
  • Opens: Nov. 03, 2017
  • Closes: Dec. 23, 2017
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Cellophane Grip

  • Evan Nesbit,
  • Opens: Sep. 13, 2017
  • Closes: Oct. 28, 2017
  • Reception: Sep. 13, 2017
  • Hours: 6 - 8pm
  • Admission: free

Annotations, Striations, and Souvenirs

  • Ishmael Randall Weeks,
  • Opens: Sep. 12, 2017
  • Closes: Oct. 28, 2017
  • Reception: Sep. 12, 2017
  • Hours: 6 - 8pm
  • Admission: free

The Healdsburg Years, 1988-1993

  • Richard Diebenkorn,
  • Opens: Nov. 05, 2014
  • Closes: Jan. 16, 2015
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Space Sisters - Work from the 1970's

  • Alan Shields,
  • Opens: Sep. 14, 2016
  • Closes: Oct. 28, 2016
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Summer Group Exhibition: Part I

  • Al Held,
  • Alan Shields,
  • Frank Stella,
  • Opens: Jun. 02, 2014
  • Closes: Jul. 18, 2014
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Summer Group Exhibition: Part II

  • James Brooks,
  • Richard Diebenkorn,
  • Al Held,
  • Manny Farber,
  • Alan Shields,
  • Opens: Jul. 28, 2014
  • Closes: Aug. 29, 2014
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Forgeries

  • Tim Davis,
  • Opens: Sep. 10, 2014
  • Closes: Oct. 31, 2014
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

A New Surrealism: Works from the 1930's

  • Joseph Cornell,
  • Opens: Sep. 10, 2014
  • Closes: Oct. 31, 2014
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Emil Nolde and Die Brücke - Master Drawings New York

  • Erich Heckel,
  • Emil Nolde,
  • Ernst Ludwig Kirchner,
  • Max Pechstein,
  • Karl Schmidt-Rottluff
  • Opens: Jan. 23, 2015
  • Closes: Feb. 20, 2015
  • Reception: Jan. 23, 2015
  • Hours: 4 - 8pm
  • Admission: free

Familiar World 1942 – 1982

  • James Brooks,
  • Opens: May. 03, 2017
  • Closes: Jun. 23, 2017
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Special Presentation

  • Carl D'Alvia,
  • Opens: May. 06, 2015
  • Closes: Aug. 28, 2015
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Frankenthaler, Rockburne, & Sterne

  • Helen Frankenthaler,
  • Dorothea Rockburne,
  • Hedda Sterne,
  • Opens: Jul. 08, 2015
  • Closes: Aug. 28, 2015
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Special Presentation

  • Eva Lundsager,
  • Opens: Jun. 22, 2015
  • Closes: Jul. 24, 2015
  • Reception: Jun. 23, 2015
  • Hours: 5 - 7pm
  • Admission: free

There's Always Tomorrow

  • Joe Goode,
  • Opens: Feb. 25, 2015
  • Closes: May. 01, 2015
  • Reception: Feb. 25, 2015
  • Hours: 6 - 8pm
  • Admission: free

Particular Paradox

  • Al Held,
  • Opens: May. 06, 2015
  • Closes: Jul. 02, 2015
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Degree of Tilt

  • Jackie Saccoccio,
  • Opens: Sep. 09, 2015
  • Closes: Oct. 23, 2015
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Color(less)

  • Richard Diebenkorn,
  • Michael Goldberg,
  • Arshile Gorky,
  • Al Held,
  • Donald Judd,
  • Franz Kline,
  • Sol LeWitt,
  • Robert Mangold,
  • Robert Motherwell,
  • Dorothea Rockburne,
  • Mark Tobey,
  • Hedda Sterne,
  • Opens: Oct. 28, 2015
  • Closes: Dec. 23, 2015
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Early Color Abstractions 1949-1955

  • Richard Diebenkorn,
  • Opens: Jan. 13, 2016
  • Closes: Mar. 05, 2016
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Brushstrokes - India Ink Drawings from 1960

  • Al Held,
  • Opens: May. 12, 2016
  • Closes: Jul. 08, 2016
  • Reception: May. 12, 2016
  • Hours: 6 - 8pm
  • Admission: free

Machines 1947 – 1951

  • Hedda Sterne,
  • Opens: Mar. 10, 2016
  • Closes: May. 07, 2016
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Other Night Other Light

  • Eva Lundsager,
  • Opens: Jul. 13, 2016
  • Closes: Aug. 26, 2016
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Hone

  • Harvey Quaytman,
  • Opens: Feb. 22, 2017
  • Closes: Apr. 28, 2017
  • Reception: Feb. 22, 2017
  • Hours: 6 - 8pm
  • Admission: free

John McLaughlin

  • Marvelous Void,
  • Opens: Nov. 02, 2016
  • Closes: Jan. 07, 2017
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Go Figure

  • James Brooks,
  • Joseph Cornell,
  • Richard Diebenkorn,
  • Philip Guston,
  • Ed Paschke,
  • Hedda Sterne,
  • Kristin Baker,
  • Michael Berryhill,
  • Jeronimo Elespe,
  • Volker Hüller,
  • Sarah Peters,
  • Opens: Jan. 11, 2017
  • Closes: Feb. 18, 2017
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Reticulations

  • Cameron Martin,
  • Opens: Jun. 28, 2017
  • Closes: Aug. 25, 2017
  • Reception: Jun. 28, 2017
  • Hours: 5 - 7pm
  • Admission: free

When

Jan 23 - Feb 20, 2015

  • Reception: Jan 23, 4 - 8pm

Where

Van Doren Waxter

  • 23 E 73rd St, New York NY 10021 Map
  • 212.445.0444

About

Van Doren Waxter, in collaboration with Beck & Eggeling, Düsseldorf, presents Emil Nolde and Die Brücke, an exhibition featuring works on paper by Emil Nolde (1867-1956) alongside fellow German Expressionists and Brücke artists Erich Heckel (1883-1970), Ernst Ludwig Kirchner (1880-1938), Max Pechstein (1881-1955) and Karl Schmidt-Rottluff (1884-1976). This exhibition will be featured as part of Master Drawings New York January 24-January 31 and will be on view at the gallery through February 20, 2015. A German/English catalogue has been published on the occasion of this exhibition, including an essay by Dr. Eva Dewes.

The group known as Die Brücke, or The Bridge, a name chosen to symbolize the group’s intended mission, was founded June 7, 1905, by Fritz Bleyl, Erich Heckel, Ernst Ludwig Kirchner and Karl Schmidt-Rottluff. Each with a distinctive style, the young artists were united by their common ideals and shared rejection of traditionally accepted academic tenets, opting instead for a more spontaneous and organic approach. Erich Heckel later recounted that it was Schmidt-Rottluff, influenced by Friedrich Nietzsche’s Thus Spoke Zarathustra, who “…suggested the term 'bridge' – a word with many overtones, he said, but without any idea of a program. It would lead, as it were, from one bank to another. What we must put behind us was clear - what we would come to, far less so." Within the construct of this intentionally open framework, the Brücke artists developed, by cultivating their combined, like-minded identity and through individual, independent experimentation.

The Brücke artists, having seen Nolde’s work at an exhibition in Dresden in 1906, invited him to join their group. His formal association with the group would only last a year; he remained on good terms with the Brücke artists, however, even after their dissolution in 1913. The goal, to pursue a progression from old to new and into still unknown territory, was one the Brücke artists would continue to share with Emil Nolde who believed that, “Every true artist creates new values, new beauty and then new laws arise,” even if they would not always visually approach this objective similarly. Emil Nolde and Die Brücke is comprised of a selection of works to highlight the development of this relationship, from the initial dialogue, to the form it took in later years: harmonies amongst the artists, their ideas and works, and the divergence of Nolde’s work from that of his former Brücke colleagues over the span of his career.

Emil Nolde, in particular, is known for his masterful use of color; the spontaneous and fluid nature of Nolde’s watercolor technique produced a deliberately limited control, allowing color to dictate form. In Nordfriesische Landschaft mit Bauernhof (North Frisian landscape with farm), n.d., as in all of Nolde’s watercolors, form is captured in vibrant, boundless strokes of vividly saturated color. To proceed in any direction methodically seemed contrary to his methods: “I prefer to avoid deliberation beforehand, just a vague idea, a glow and color suffices. Under the work of my hands the picture develops itself.” This concept too aligned with his Brücke colleagues, as Dr. Dewes writes in her catalogue essay, “For the Brücke […] color was the sole medium of expression, the mirror of the soul, whose spontaneous inner perceptions should alone determine the artist’s approach to his work.”


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