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Greene Naftali

The King And The Corpse

  • Gedi Sibony

Press for The King And The Corpse

Current Exhibitions at Greene Naftali


Heterotopia II

  • Peter Halley,
  • Opens: Nov. 06, 2019
  • Closes: Dec. 20, 2019
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Konrad Lueg [Extended]

  • Konrad Lueg,
  • Opens: Sep. 19, 2019
  • Closes: Dec. 20, 2019
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

The Bather’s Dilemma

  • Paul Chan,
  • Opens: Sep. 12, 2019
  • Closes: Oct. 19, 2019
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Sign Language

  • William Leavitt,
  • Opens: Apr. 30, 2019
  • Closes: Jun. 15, 2019
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

As It Lays 2

  • Alex Israel,
  • Opens: Apr. 30, 2019
  • Closes: Jun. 15, 2019
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Bait Paintings

  • Richard Hawkins,
  • Opens: Mar. 08, 2019
  • Closes: Apr. 19, 2019
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Passage to Dynasty

  • Gang Zhao,
  • Opens: Mar. 15, 2019
  • Closes: Apr. 19, 2019
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Ileden

  • Sophie von Hellermann,
  • Opens: Jan. 08, 2019
  • Closes: Feb. 02, 2019
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Swingers

  • Chantal Akerman,
  • Marie Angeletti,
  • Lutz Bacher,
  • Barbara Kruger,
  • Josephine Pryde,
  • Heji Shin,
  • Akram Zaatari,
  • Opens: Oct. 26, 2018
  • Closes: Dec. 15, 2018
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Michael Krebber

  • Michael Krebber,
  • Opens: Oct. 26, 2018
  • Closes: Dec. 15, 2018
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Mollusca & The Pelvic Floor

  • Trisha Baga,
  • Opens: Sep. 14, 2018
  • Closes: Oct. 20, 2018
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Painting: Now and Forever, Part III

  • Magnus Andersen,
  • Monika Baer,
  • Robert Bechtle,
  • Nayland Blake,
  • Julien Ceccaldi,
  • Vija Celmins,
  • Xinyi Cheng,
  • Leidy Churchman,
  • Whitney Claflin,
  • Ed Clark,
  • Robert Colescott,
  • Matt Connors,
  • Allan D’Arcangelo,
  • Noah Davis,
  • Lois Dodd,
  • Lukas Duwenhögger,
  • Nicole Eisenman,
  • Janiva Ellis,
  • Jana Euler,
  • Genoveva Filipovic,
  • Sam Gilliam,
  • Tony Greene,
  • Rachel Harrison,
  • Luchita Hurtado,
  • Alex Israel,
  • Jasper Johns,
  • Matsumi Kanemitsu,
  • Bhupen Khakhar,
  • Mathieu Malouf,
  • Helen Marten,
  • Lucy McKenzie,
  • Rodney McMillian,
  • Jill Mulleady,
  • Jeanette Mundt,
  • Howardena Pindell,
  • Suellen Rocca,
  • Eiichi Shibata,
  • Gedi Sibony
  • Avery Singer,
  • Sylvia Sleigh,
  • Anne Speier,
  • Linda Stark,
  • Hervé Télémaque,
  • Karl Wirsum,
  • Lynette Yiadom-Boakye,
  • Gang Zhao,
  • Opens: Jun. 28, 2018
  • Closes: Aug. 17, 2018
  • Reception: Jun. 28, 2018
  • Hours: 6 - 8pm
  • Admission: free

A New Look at TV and a Funhouse

  • Dan Graham,
  • Opens: May. 19, 2018
  • Closes: Jun. 16, 2018
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

On Non-Visibility

  • Tony Cokes,
  • Opens: Apr. 27, 2018
  • Closes: Jun. 09, 2018
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

The King And The Corpse

  • Gedi Sibony
  • Opens: Mar. 22, 2018
  • Closes: May. 05, 2018
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Tears and New Tears

  • Josef Strau,
  • Opens: Mar. 08, 2018
  • Closes: Apr. 14, 2018
  • Reception: Mar. 08, 2018
  • Hours: 6 - 8pm
  • Admission: free

Walking Point

  • Mary Ann Aitken,
  • Wally Hedrick,
  • Craig Kalpakjian,
  • Paul Chan,
  • Tetsumi Kudo,
  • Tony Conrad,
  • Lee Lozano,
  • Dan Flavin,
  • Pope.L,
  • Isa Genzken,
  • Andrew Ross,
  • Rachel Harrison,
  • Martin Wong,
  • Opens: Feb. 16, 2018
  • Closes: Mar. 10, 2018
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Hotel Suicide

  • Richard Hawkins,
  • Opens: Jan. 19, 2018
  • Closes: Mar. 03, 2018
  • Reception: Jan. 19, 2018
  • Hours: 6 - 8pm
  • Admission: free

Paradiso: A New Play by Richard Maxwell

  • Richard Maxwell,
  • Opens: Jan. 12, 2018
  • Closes: Feb. 10, 2018
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Jacqueline Humphries

  • Jacqueline Humphries,
  • Opens: Oct. 27, 2017
  • Closes: Dec. 16, 2017
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Peter Halley

  • Peter Halley,
  • Opens: Sep. 15, 2017
  • Closes: Oct. 21, 2017
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Prasine

  • Rachel Harrison,
  • Opens: Apr. 28, 2017
  • Closes: Jun. 17, 2017
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Dock Lands

  • Hilary Lloyd,
  • Opens: May. 26, 2017
  • Closes: Jun. 24, 2017
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

New York Golem

  • Gelatin,
  • Opens: Jun. 23, 2017
  • Closes: Aug. 04, 2017
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

When

Mar 22 - May 05, 2018


Where

Greene Naftali

  • 508 West 26th Street, Ground Floor, New York NY 10001 Map
  • 212.463.7770

About

For over two decades, Gedi Sibony has excavated the discarded byproducts of commerce and, through subtle interventions and specific installation, transformed the pedestrian into the lyrical. For his fifth show at Greene Naftali, The King and the Corpse, Sibony simultaneously magnifies and contracts this gesture, extracting and restaging a single, large scale structure from the built environment he has long mined for details. With the exhibition’s central maneuver, Sibony proffers a reconsideration of the found object: unbounded by scale, yet still an itinerant entity redefined by its placement in the exhibition space. Consisting of four sculptures, The King and the Corpse heightens the social implications of a hallmark of Sibony’s practice—the residual and derelict mechanisms and vessels of production—availing it not only to art historical legacies, but to social issues of power and capital.

The exhibition is titled for its central sculpture, The King and the Corpse, which consumes the volume of the ground floor space. The King and the Corpse originates as a castoff of the commercial landscape, a dispossessed, prefabricated building. On view in the gallery’s industrial first floor space, the structure is monolithic. Its façade rejects absence and narrows negative space, edging against the gallery’s ceiling. The King and the Corpse exhausts categories of modern sculpture: a found object that confounds migration, a primary structure inordinate to human scale. Circumambulated and entered, however, signifiers of the structure’s abandonment abound—rust, manmade traces, fixtures divested of function—and its center is revealed to be a hollow armature. The King and the Corpse enacts a tension between expansion and decline, signaling each, implying an inevitable, cyclical reciprocity between the two.

The three sculptures installed in the rear galleries shift the exhibition to the scale of the viewer and amplify the relational poetics and allegorical layers established by The King and the Corpse. Carefully placed, The Serpentine Force, The Shivered, and The Spellblinder are precarious, slight, and defanged.


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