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Greene Naftali

Jacqueline Humphries

  • Jacqueline Humphries
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    Jacqueline Humphries, Installation view
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    Jacqueline Humphries, Installation view
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    Jacqueline Humphries, Installation view
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    Jacqueline Humphries, Installation view
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    Jacqueline Humphries, Installation view
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Press for Jacqueline Humphries

Current Exhibitions at Greene Naftali


Sign Language

  • William Leavitt,
  • Opens: Apr. 30, 2019
  • Closes: Jun. 15, 2019
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

As It Lays 2

  • Alex Israel,
  • Opens: Apr. 30, 2019
  • Closes: Jun. 15, 2019
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Bait Paintings

  • Richard Hawkins,
  • Opens: Mar. 08, 2019
  • Closes: Apr. 19, 2019
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Passage to Dynasty

  • Gang Zhao,
  • Opens: Mar. 15, 2019
  • Closes: Apr. 19, 2019
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Ileden

  • Sophie von Hellermann,
  • Opens: Jan. 08, 2019
  • Closes: Feb. 02, 2019
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Swingers

  • Chantal Akerman,
  • Marie Angeletti,
  • Lutz Bacher,
  • Barbara Kruger,
  • Josephine Pryde,
  • Heji Shin,
  • Akram Zaatari,
  • Opens: Oct. 26, 2018
  • Closes: Dec. 15, 2018
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Michael Krebber

  • Michael Krebber,
  • Opens: Oct. 26, 2018
  • Closes: Dec. 15, 2018
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Mollusca & The Pelvic Floor

  • Trisha Baga,
  • Opens: Sep. 14, 2018
  • Closes: Oct. 20, 2018
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Painting: Now and Forever, Part III

  • Magnus Andersen,
  • Monika Baer,
  • Robert Bechtle,
  • Nayland Blake,
  • Julien Ceccaldi,
  • Vija Celmins,
  • Xinyi Cheng,
  • Leidy Churchman,
  • Whitney Claflin,
  • Ed Clark,
  • Robert Colescott,
  • Matt Connors,
  • Allan D’Arcangelo,
  • Noah Davis,
  • Lois Dodd,
  • Lukas Duwenhögger,
  • Nicole Eisenman,
  • Janiva Ellis,
  • Jana Euler,
  • Genoveva Filipovic,
  • Sam Gilliam,
  • Tony Greene,
  • Rachel Harrison,
  • Luchita Hurtado,
  • Alex Israel,
  • Jasper Johns,
  • Matsumi Kanemitsu,
  • Bhupen Khakhar,
  • Mathieu Malouf,
  • Helen Marten,
  • Lucy McKenzie,
  • Rodney McMillian,
  • Jill Mulleady,
  • Jeanette Mundt,
  • Howardena Pindell,
  • Suellen Rocca,
  • Eiichi Shibata,
  • Gedi Sibony,
  • Avery Singer,
  • Sylvia Sleigh,
  • Anne Speier,
  • Linda Stark,
  • Hervé Télémaque,
  • Karl Wirsum,
  • Lynette Yiadom-Boakye,
  • Gang Zhao,
  • Opens: Jun. 28, 2018
  • Closes: Aug. 17, 2018
  • Reception: Jun. 28, 2018
  • Hours: 6 - 8pm
  • Admission: free

A New Look at TV and a Funhouse

  • Dan Graham,
  • Opens: May. 19, 2018
  • Closes: Jun. 16, 2018
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

On Non-Visibility

  • Tony Cokes,
  • Opens: Apr. 27, 2018
  • Closes: Jun. 09, 2018
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

The King And The Corpse

  • Gedi Sibony,
  • Opens: Mar. 22, 2018
  • Closes: May. 05, 2018
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Tears and New Tears

  • Josef Strau,
  • Opens: Mar. 08, 2018
  • Closes: Apr. 14, 2018
  • Reception: Mar. 08, 2018
  • Hours: 6 - 8pm
  • Admission: free

Walking Point

  • Mary Ann Aitken,
  • Wally Hedrick,
  • Craig Kalpakjian,
  • Paul Chan,
  • Tetsumi Kudo,
  • Tony Conrad,
  • Lee Lozano,
  • Dan Flavin,
  • Pope.L,
  • Isa Genzken,
  • Andrew Ross,
  • Rachel Harrison,
  • Martin Wong,
  • Opens: Feb. 16, 2018
  • Closes: Mar. 10, 2018
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Hotel Suicide

  • Richard Hawkins,
  • Opens: Jan. 19, 2018
  • Closes: Mar. 03, 2018
  • Reception: Jan. 19, 2018
  • Hours: 6 - 8pm
  • Admission: free

Paradiso: A New Play by Richard Maxwell

  • Richard Maxwell,
  • Opens: Jan. 12, 2018
  • Closes: Feb. 10, 2018
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Jacqueline Humphries

  • Jacqueline Humphries
  • Opens: Oct. 27, 2017
  • Closes: Dec. 16, 2017
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Peter Halley

  • Peter Halley,
  • Opens: Sep. 15, 2017
  • Closes: Oct. 21, 2017
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Prasine

  • Rachel Harrison,
  • Opens: Apr. 28, 2017
  • Closes: Jun. 17, 2017
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Dock Lands

  • Hilary Lloyd,
  • Opens: May. 26, 2017
  • Closes: Jun. 24, 2017
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

New York Golem

  • Gelatin,
  • Opens: Jun. 23, 2017
  • Closes: Aug. 04, 2017
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

When

Oct 27 - Dec 16, 2017


Where

Greene Naftali

  • 508 West 26th Street, Ground Floor, New York NY 10001 Map
  • 212.463.7770

About

For over three decades, Jacqueline Humphries has reacted to predictions of painting’s obsolescence, employing both traditional and contemporary methods to position the medium’s historical binaries—such as authenticity and simulation, handmade and mechanical, and literalism and illusionism—in tight and competing proximity, suspending them from resolution. In her ninth solo exhibition at Greene Naftali, Humphries presents ten new large-scale works, which develop specific compositional devices and materials in dialogue with digital screens, and address new paradigms in visual culture.

The works on view reference technological interfaces through interior frames and communicative icons like the emoticon and kaomoj. With the latter symbols, Humphries integrates literal and lowbrow signifiers of expression, using humor and irony to confront painting’s predicament. In :) (2017), custom-made, laser-cut stencils cannibalize elements of previous paintings as pixelated drips, mechanically applied over literal splashes and blobs of paint, only to be nearly obscured by broadly applied brushstrokes. Stenciled, smiling emoticons and worried emojis punctuate the painting and similarly compete for visibility against the physicality of Humphries’ mark-making. Inhabited by code, Humphries newest paintings are constituted of information, yet produce sensations of painting’s more classical modes.
Images of Humphries’ earlier works are recast in the alphanumeric parameters of ASCII, a character-based image encoding system that dates back to the 1960s. Incisively referencing painting’s fatalistic prognosis, such works resurrect both technologies and paintings of the past. In o://:hdddd (2017), ASCII’s mechanically produced gradients are superimposed onto an already painted surface. Laser cut letters and numbers, applied in thick black paint, aggregate and disperse to represent dark and light, their calculated accumulations reading as gestural marks from afar. i\Ω.. (2017) applies the same technique to a white canvas, endowing the surface with a complex yet minimalist terrain. As with o://:hdddd, its textures and patterns vary with viewing distance. Recessions and reliefs appear to shift, calibrated lines dissolve into irregular forms—the viewer alternately perceives physical facture and optical phenomena as they approach and retreat from the surface.


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