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Cristin Tierney Gallery

Sign of Abandonment

  • Jorge Tacla
  • 7d1a3f84 e6ce 4493 95ed ab3673b9aa52
    Jorge Tacla, Señal de Abandono 22, 2017

Press for Sign of Abandonment

Current Exhibitions at Cristin Tierney Gallery


Contemplation

  • Joe Fig,
  • Opens: Sep. 01, 2020
  • Closes: Oct. 17, 2020
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

The First 30 Years Viewing Room

  • John Wood and Paul Harrison,
  • Opens: Jun. 15, 2020
  • Closes: Aug. 23, 2020
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Black/Red/Ribbon

  • Tim Youd,
  • Opens: Mar. 06, 2020
  • Closes: Apr. 18, 2020
  • Reception: Mar. 06, 2020
  • Hours: 6 - 8pm
  • Admission: free

The Optimates

  • Melanie Baker,
  • Opens: Jan. 10, 2020
  • Closes: Feb. 22, 2020
  • Reception: Jan. 10, 2020
  • Hours: 6 - 8pm
  • Admission: free

Space Film

  • T Kelly Mason,
  • Opens: Nov. 01, 2019
  • Closes: Dec. 14, 2019
  • Reception: Nov. 01, 2019
  • Hours: 6 - 8pm
  • Admission: free

Menu

  • MK Guth,
  • Opens: Sep. 13, 2019
  • Closes: Oct. 26, 2019
  • Reception: Sep. 13, 2019
  • Hours: 6 - 8pm
  • Admission: free

Inside Baseball

  • Melanie Baker,
  • Joe Fig,
  • Neil Goldberg,
  • MK Guth,
  • Malia Jensen,
  • John Wood and Paul Harrison,
  • Opens: Apr. 26, 2019
  • Closes: Jun. 01, 2019
  • Reception: Apr. 25, 2019
  • Hours: 6 - 8pm
  • Admission: free

VOTE IN THE MIDTERM ELECTIONS

  • Neil Goldberg,
  • Opens: Oct. 25, 2018
  • Closes: Dec. 15, 2018
  • Reception: Oct. 25, 2018
  • Hours: 6 - 8pm
  • Admission: free

Under Construction: Photography, Video, and the (Re)presentation of Identity

  • Janet Biggs,
  • Victor Burgin,
  • Peter Campus,
  • Neil Goldberg,
  • Malia Jensen,
  • Anselm Kiefer,
  • Martha Rosler,
  • Cindy Sherman,
  • Opens: Sep. 06, 2018
  • Closes: Oct. 17, 2018
  • Reception: Sep. 06, 2018
  • Hours: 6 - 8pm
  • Admission: free

Out West (Back East)

  • Malia Jensen,
  • Opens: Jun. 07, 2018
  • Closes: Jul. 20, 2018
  • Reception: Jun. 07, 2018
  • Hours: 6 - 8pm
  • Admission: free

Curvilinear

  • Lorser Feitelson,
  • Opens: Apr. 24, 2018
  • Closes: May. 25, 2018
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Hard Edges

  • Lorser Feitelson,
  • Elise Ferguson,
  • Alois Kronschlaeger,
  • Opens: Mar. 01, 2018
  • Closes: Apr. 07, 2018
  • Reception: Mar. 08, 2018
  • Hours: 6 - 8pm
  • Admission: free

"Inhibited Bites" Performance

  • Neil Goldberg,
  • Opens: Jan. 14, 2018
  • Closes: Jan. 14, 2018
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

pause

  • Peter Campus,
  • Opens: Jan. 11, 2018
  • Closes: Feb. 17, 2018
  • Reception: Jan. 11, 2018
  • Hours: 6 - 8pm
  • Admission: free

Sign of Abandonment

  • Jorge Tacla
  • Opens: Nov. 02, 2017
  • Closes: Dec. 16, 2017
  • Reception: Nov. 02, 2017
  • Hours: 6 - 8pm
  • Admission: free

Classic Attitude

  • Helen Lundeberg,
  • Opens: Nov. 03, 2016
  • Closes: Dec. 17, 2016
  • Reception: Nov. 03, 2016
  • Hours: 6 - 8pm
  • Admission: free

Ecstatic Reading

  • Tim Youd,
  • Opens: Jul. 13, 2017
  • Closes: Aug. 18, 2017
  • Reception: Jul. 13, 2017
  • Hours: 6 - 8pm
  • Admission: free

Inside the Artist's Studio

  • Joe Fig,
  • Opens: Sep. 10, 2015
  • Closes: Oct. 24, 2015
  • Reception:
  • Hours: 6 - 8pm
  • Admission: 32

Slow Boom

  • Richard Galpin,
  • Opens: Oct. 29, 2015
  • Closes: Dec. 12, 2015
  • Reception: Oct. 29, 2015
  • Hours: 6 - 8pm
  • Admission: free

Slideshow

  • Francisco Ugarte,
  • Opens: Jul. 07, 2016
  • Closes: Aug. 19, 2016
  • Reception: Jul. 07, 2016
  • Hours: 6 - 8pm
  • Admission: free

Surface Tension

  • Jean Shin,
  • Opens: Feb. 25, 2016
  • Closes: Apr. 02, 2016
  • Reception: Feb. 25, 2016
  • Hours: 6 - 8pm
  • Admission: free

within touching distance

  • Janet Biggs,
  • Opens: Jan. 07, 2016
  • Closes: Feb. 20, 2016
  • Reception: Jan. 07, 2016
  • Hours: 6 - 8pm
  • Admission: free

Do Androids See Electric Paintings?

  • Jennifer Marman and Daniel Borins,
  • Opens: May. 06, 2016
  • Closes: Jun. 11, 2016
  • Reception: May. 06, 2016
  • Hours: 6 - 8pm
  • Admission: free

Tracks, Symptoms, and Designations: Art and the Index

  • Jennifer Marman,
  • Daniel Borins,
  • David Ellis,
  • Roberto Lange,
  • Ana Mendieta,
  • Juan Muñoz,
  • Gabriel Orozco,
  • Jean Shin,
  • Opens: Apr. 06, 2016
  • Closes: Apr. 30, 2016
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Shout, Recount, Get Drunk

  • MK Guth,
  • Opens: Jun. 21, 2016
  • Closes: Jul. 01, 2016
  • Reception: Jun. 21, 2016
  • Hours: 6 - 8pm
  • Admission: free

Midwest

  • Victor Burgin,
  • Opens: Sep. 08, 2016
  • Closes: Oct. 22, 2016
  • Reception: Sep. 08, 2016
  • Hours: 6 - 8pm
  • Admission: free

Three Lines, One Square

  • Francisco Ugarte,
  • Opens: Jun. 01, 2017
  • Closes: Jul. 08, 2017
  • Reception: Jun. 01, 2017
  • Hours: 6 - 8pm
  • Admission: free

peter campus, circa 1987

  • Peter Campus,
  • Opens: Jan. 19, 2017
  • Closes: Mar. 04, 2017
  • Reception: Jan. 19, 2017
  • Hours: 6 - 8pm
  • Admission: free

Indirect Representations

  • Joe Fig,
  • Janet Biggs,
  • Ellen Carey,
  • Adam Cvijanovic,
  • Kate Gilmore,
  • Neil Goldberg,
  • Nina Katchadourian,
  • Byron Kim,
  • Ryan McGinness,
  • Danica Phelps,
  • Tim Youd,
  • Opens: Mar. 16, 2017
  • Closes: Apr. 15, 2017
  • Reception: Mar. 16, 2017
  • Hours: 6 - 8pm
  • Admission: free

Endurance

  • Janet Biggs,
  • Regina José Galindo,
  • Opens: Apr. 27, 2017
  • Closes: May. 27, 2017
  • Reception: Apr. 27, 2017
  • Hours: 6 - 8pm
  • Admission: free

New Work

  • Alois Kronschlaeger,
  • Opens: Sep. 14, 2017
  • Closes: Oct. 28, 2017
  • Reception: Sep. 14, 2017
  • Hours: 6 - 8pm
  • Admission: free

When

Nov 02 - Dec 16, 2017

  • Reception: Nov 02, 6 - 8pm

Where

Cristin Tierney Gallery

  • 219 Bowery, Floor 2, New York NY 10002 Map
  • 212.594.0550

About

Cristin Tierney Gallery is pleased to present Sign of Abandonment, an exhibition of new paintings by Jorge Tacla. It opens with a reception on Thursday, November 2nd from 6:00 to 8:00pm, and closes December 16th. Sign of Abandonment precedes a major survey of the artist’s work at Fundación Corpartes, opening November 21st in Santiago, Chile.

Tacla’s new series of paintings continue the artist’s decades-long exploration of the invisible structures and systems at work in society. Like other recent works, they feature heavily impastoed, expressionistic surfaces wrought in oil and cold wax, and limited palettes of grey, blue, and red. Also similar are the artist’s subjects: buildings and real places, distilled from Tacla’s memory as well as his vast archives of images from photo albums, books, magazines, and the Internet. But whereas previous series often presented deteriorating or destroyed spaces to the viewer, the architecture featured in Sign of Abandonment remains seemingly intact.

This shift in depiction is key. Instead of urban ruins and rubble, the artist presents extant museums, libraries, and universities from all over the world. The political significance of these sites, which have traditionally functioned as centers of learning and as repositories of knowledge, is undeniable in the current era of alternative facts and moral relativism. By prominently featuring them in Sign of Abandonment, Tacla echoes the widely held belief that history’s lessons hold the secret to our future failures or successes.

The painting Señal de Abandono 22 (or Sign of Abandonment 22) illustrates the Trinity College Library in Dublin. Home to almost 200,000 rare and significant books, including the Book of Kells and a copy of the 1916 Proclamation of the Irish Republic, the Trinity Library is a valuable historic site. However, Tacla presents it as empty aside from the books—an allusion to the fact that spaces such as these are rapidly disappearing, moving away from their original missions, or growing increasingly devoid of patrons and visitors with the advent of the Internet. It has become a scene of abandonment. Presented together in a group, Tacla’s new series may be seen as a warning, and a call to remember our history before it is too late.

Tacla’s upcoming survey at Fundación Corpartes will showcase several never-before-seen paintings from the Sign of Abandonment series alongside some of the artist’s earliest canvases from the 1980s and 1990s. Entitled Todo lo sòlido se desvanece (or “All that is solid melts into air”), the exhibition is organized by curator and critic Christian Viveros-Fauné. A catalog will be published to accompany the show.

Jorge Tacla (b. 1958, Santiago, Chile) creates tactile, ghost-like paintings that blur the formalistic boundaries between abstraction and representation to present an unsettling view of the world. After studying at the Escuela de Bellas Artes, Universidad de Chile, he moved to New York in the 1980s. His work has been shown in respected institutions across the world, and select exhibitions include the Museo de la Memoria y los Derechos Humanos (Santiago, Chile), Art Museum of the Americas (Washington, DC), Tufts University Art Gallery (Medford, MA), Bruce Museum (Greenwich, CT), 55th Venice Biennale, Dublin Contemporary (Dublin, Ireland), and Sharjah Biennial 10 (Sharjah, UAE). Tacla’s work is represented in numerous collections including the New Museum (New York, NY), High Museum of Art (Atlanta, GA), Museo de Arte Moderno (Mexico City, Mexico), and Museo Nacional de Bellas Artes (Santiago, Chile). Among the artist’s many awards and fellowships is the Rockefeller Foundation Bellagio Center residency and the Guggenheim Memorial Foundation Fellowship. A solo show of the artist’s works on paper opens December 2nd at Galería Animal in Santiago, Chile. Tacla lives and works in New York and Chile.

For more information please contact Candace Moeller at candace@cristintierney.com or +1.212.594.0550.


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