×
KARMA

Pastel

  • Nicolas Party
  • C0dd5cbf 0057 4a2c 8276 ec3f3ba1648f
    Nicolas Party, Red Portrait, 2017

Press for Pastel

Current Exhibitions at KARMA


Summer Group (Solo) Show

  • Henni Alftan,
  • Matt Hilvers,
  • Ruth Ige,
  • Andrew Sim,
  • Opens: Aug. 08, 2019
  • Closes: Sep. 15, 2019
  • Reception: Aug. 08, 2019
  • Hours: 6 - 8pm
  • Admission: free

To live in hope.

  • Woody De Othello,
  • Opens: Jun. 27, 2019
  • Closes: Aug. 04, 2019
  • Reception: Jun. 27, 2019
  • Hours: 6 - 8pm
  • Admission: free

I see with my body now

  • Paul Lee,
  • Opens: Apr. 04, 2019
  • Closes: May. 12, 2019
  • Reception: Apr. 04, 2019
  • Hours: 6 - 8pm
  • Admission: free

Works from 1968–1970

  • Robert Duran,
  • Opens: Feb. 21, 2019
  • Closes: Mar. 31, 2019
  • Reception: Feb. 21, 2019
  • Hours: 6 - 8pm
  • Admission: free

Auguries Cast Aside

  • Ketuta Alexi-Meskhishvili,
  • CAConrad,
  • Jason Dodge,
  • Tony Just,
  • Opens: Jan. 10, 2019
  • Closes: Feb. 17, 2019
  • Reception: Jan. 10, 2019
  • Hours: 6 - 8pm
  • Admission: free

Paul Mogensen

  • Paul Mogensen,
  • Opens: Sep. 27, 2018
  • Closes: Nov. 04, 2018
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Dike Blair

  • Dike Blair,
  • Opens: Nov. 08, 2018
  • Closes: Dec. 21, 2018
  • Reception: Nov. 08, 2018
  • Hours: 6 - 8pm
  • Admission: free

Gertrude Abercrombie - Organized With Dan Nadel

  • Gertrude Abercrombie,
  • Opens: Aug. 09, 2018
  • Closes: Sep. 16, 2018
  • Reception: Aug. 09, 2018
  • Hours: 6 - 8pm
  • Admission: free

Sunset Moon

  • Ann Craven,
  • Opens: Jun. 21, 2018
  • Closes: Aug. 03, 2018
  • Reception: Jun. 21, 2018
  • Hours: 6 - 8pm
  • Admission: free

Shelf Life

  • Mathew Cerletty,
  • Opens: May. 05, 2018
  • Closes: Jun. 17, 2018
  • Reception: May. 05, 2018
  • Hours: 6 - 8pm
  • Admission: free

Matthew Wong

  • Matthew Wong,
  • Opens: Mar. 22, 2018
  • Closes: Apr. 29, 2018
  • Reception: Mar. 22, 2018
  • Hours: 6 - 8pm
  • Admission: free

C-A-T Spells Murder

  • Alex Da Corte,
  • Opens: Feb. 17, 2018
  • Closes: Mar. 18, 2018
  • Reception: Feb. 17, 2018
  • Hours: 6 - 8pm
  • Admission: free

Kinder Gentler Nation

  • Rita Ackermann,
  • Paweł Althamer,
  • Joan Brown,
  • Derrick Alexis Coard,
  • William N. Copley,
  • Barkley L. Hendricks,
  • Robert Hudson,
  • Cheyenne Julien,
  • Marie Laurencin,
  • Irving Marcus,
  • Barbara Nessim,
  • Woody De Othello,
  • Richard Prince,
  • Joseph Raffael,
  • Michael Williams,
  • Opens: Jan. 07, 2018
  • Closes: Feb. 09, 2018
  • Reception: Jan. 07, 2018
  • Hours: 6 - 8pm
  • Admission: free

Group Show

  • Jean Conner,
  • Wally Hedrick,
  • Deborah Remington,
  • Franklin Williams,
  • Opens: Nov. 12, 2017
  • Closes: Dec. 22, 2017
  • Reception: Nov. 12, 2017
  • Hours: 5 - 8pm
  • Admission: free

Pastel

  • Nicolas Party
  • Opens: Sep. 24, 2017
  • Closes: Nov. 05, 2017
  • Reception: Sep. 24, 2017
  • Hours: 6 - 8pm
  • Admission: free

Robert Grosvenor

  • Robert Grosvenor,
  • Opens: Jun. 22, 2017
  • Closes: Aug. 13, 2017
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Faules Fundament (Rotten Foundation)!

  • Urs Fischer,
  • Opens: Aug. 16, 2017
  • Closes: Sep. 10, 2017
  • Reception: Aug. 16, 2017
  • Hours: 6 - 8pm
  • Admission: free

When

Sep 24 - Nov 05, 2017

  • Reception: Sep 24, 6 - 8pm

Where

KARMA

  • 188 East 2nd Street, New York NY 10009 Map
  • 212.390.8290

About

Karma is pleased to present Nicolas Party’s first exhibition with the gallery, comprised of works in soft pastel, installed in a unique environment conceived by the artist. Soft pastel is a fugitive medium: It can be applied or destroyed with a swipe of the finger—it is, after all, essentially colored dust. Party’s works focus on four visual “characters”: trees, fruit, humans and landscapes, each with its own identity, all of equal importance, and rarely commingled in the same composition.

Party has drawn upon a consistent graphic language for his characters partially rooted in his omnivorous appetite for art history. Inspiration for his bare trees comes from Milton Avery; his single-stroke ocean swells from Ferdinand Hodler are occasionally lit by Felix Vallotton’s sunsets, and the eerie stares of his androgynous figures echo the apocalyptic vacancy of Christian Schad. Party uses the visuals he likes, treating them as building blocks to be employed, transformed, and integrated into his own pictorial and medium-specific language of concise forms.

These are non-narrative, non-Surrealist, non-Symbolist pictures. Shadows may fall in multiple and contradictory directions; identical fruits may flatten or fatten on a single plain; horizons may terminate with a hard line of color or a slow fade. Each painting is the sum of Party’s active and improvisational approach: he builds, reduces, and scrapes at his surfaces until the composition achieves an organic whole. The optical effect of this physical activity is at once solid and fleeting. One has the worrisome sense that no matter how stable these complex and color-drenched arrangements of objects and things may appear, they could literally be blown away at any moment.


Top