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Galerie Perrotin

A Revision

  • John Henderson
  • D5d6f775 8d4e 4926 8e4e 323c023885f5
    John Henderson,

Press for A Revision

Current Exhibitions at Galerie Perrotin


Journey in Autumn

  • Bernard Frize,
  • Opens: Sep. 11, 2019
  • Closes: Oct. 26, 2019
  • Reception: Sep. 11, 2019
  • Hours: 6 - 8pm
  • Admission: free

The Chronicles of New York City — Sketches

  • JR,
  • Opens: Sep. 11, 2019
  • Closes: Oct. 26, 2019
  • Reception: Sep. 11, 2019
  • Hours: 6 - 8pm
  • Admission: free

Activated Artifacts

  • Mel Ziegler,
  • Opens: Jun. 20, 2019
  • Closes: Aug. 16, 2019
  • Reception: Jun. 20, 2019
  • Hours: 6 - 8pm
  • Admission: free

Them

  • Hernan Bas,
  • Jonathan Lyndon Chase,
  • Anthony Cudahy,
  • TM Davy,
  • Angela Dufresne,
  • Louis Fratino,
  • Jenna Gribbon,
  • Paul Heyer,
  • Sholem Krishtalka,
  • Doron Langberg,
  • Maia Cruz Palileo,
  • Ana Segovia,
  • Salman Toor,
  • Opens: Jun. 20, 2019
  • Closes: Aug. 16, 2019
  • Reception: Jun. 20, 2019
  • Hours: 6 - 8pm
  • Admission: free

We are the baby gang

  • Paola Pivi,
  • Opens: Apr. 25, 2019
  • Closes: Jun. 08, 2019
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

TEAR SHOW

  • Michael Sailstorfer,
  • Opens: Mar. 02, 2019
  • Closes: Apr. 13, 2019
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

TNTR AA

  • Gabriel de la Mora,
  • Opens: Mar. 02, 2019
  • Closes: Apr. 13, 2019
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

UNIO MYSTICA

  • Aya Takano,
  • Opens: Mar. 02, 2019
  • Closes: Apr. 13, 2019
  • Reception: Mar. 02, 2019
  • Hours: 6 - 8pm
  • Admission: free

Pieter Vermeersch

  • Pieter Vermeersch,
  • Opens: Jan. 12, 2019
  • Closes: Feb. 16, 2019
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Big Time

  • Josh Sperling,
  • Opens: Jan. 12, 2019
  • Closes: Feb. 16, 2019
  • Reception: Jan. 12, 2019
  • Hours: 6 - 8pm
  • Admission: free

Alcove

  • Jens Fänge,
  • Opens: Jan. 12, 2019
  • Closes: Feb. 16, 2019
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

A Strange Relative

  • Genesis Belanger,
  • Emily Mae Smith,
  • Opens: Nov. 03, 2018
  • Closes: Dec. 22, 2018
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

In meiner Wohnung gibt es viele Zimmer

  • Gregor Hildebrandt,
  • Opens: Nov. 03, 2018
  • Closes: Dec. 22, 2018
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Ecriture

  • Park Seo-Bo,
  • Opens: Nov. 03, 2018
  • Closes: Dec. 22, 2018
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

3018

  • Daniel Arsham,
  • Opens: Sep. 08, 2018
  • Closes: Oct. 21, 2018
  • Reception: Sep. 08, 2018
  • Hours: 5 - 8pm
  • Admission: free

Alfred Paintings

  • Johan Creten,
  • Opens: Sep. 08, 2018
  • Closes: Oct. 21, 2018
  • Reception: Sep. 08, 2018
  • Hours: 5 - 8pm
  • Admission: free

ALOALO - Mahafaly Sculptures of the Efiaimbelos

  • Efiaimbelo,
  • Opens: Jun. 28, 2018
  • Closes: Aug. 17, 2018
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Horizontal

  • JR,
  • Opens: Jun. 28, 2018
  • Closes: Aug. 17, 2018
  • Reception: Jun. 28, 2018
  • Hours: 5 - 8pm
  • Admission: free

"HEADS↔HEADS"

  • Takashi Murakami,
  • Opens: Apr. 28, 2018
  • Closes: Jun. 17, 2018
  • Reception: Apr. 28, 2018
  • Hours: 4 - 9pm
  • Admission: free

Rooms greet people by name

  • Artie Vierkant,
  • Opens: Mar. 03, 2018
  • Closes: Apr. 08, 2018
  • Reception: Mar. 03, 2018
  • Hours: 6 - 8pm
  • Admission: free

Dark Matters

  • Jean-Michel Othoniel,
  • Opens: Mar. 03, 2018
  • Closes: Apr. 15, 2018
  • Reception: Mar. 03, 2018
  • Hours: 4 - 8pm
  • Admission: free

A Constant Storm. Works from 1922 to 1989

  • Hans Hartung,
  • Opens: Jan. 12, 2018
  • Closes: Feb. 18, 2018
  • Reception: Jan. 12, 2018
  • Hours: 6 - 8pm
  • Admission: free

One Law for The Lion & Ox is Oppression

  • Gabriel Rico,
  • Opens: Nov. 05, 2017
  • Closes: Dec. 23, 2017
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Snow Forest

  • Fahrad Moshiri,
  • Opens: Nov. 05, 2017
  • Closes: Dec. 23, 2017
  • Reception: Nov. 04, 2017
  • Hours: 6 - 8pm
  • Admission: free

Wim Delvoye

  • Wim Delvoye,
  • Opens: Sep. 09, 2017
  • Closes: Oct. 28, 2017
  • Reception: Sep. 09, 2017
  • Hours: 6 - 8pm
  • Admission: free

Kate Ericson & Mel Zeigler

  • Kate Ericson,
  • Mel Zeigler,
  • Opens: Jul. 08, 2014
  • Closes: Aug. 22, 2014
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Float

  • Farhad Moshiri,
  • Opens: Sep. 04, 2014
  • Closes: Oct. 04, 2014
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

A Revision

  • John Henderson
  • Opens: Oct. 09, 2014
  • Closes: Nov. 15, 2014
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Claude Rutault

  • Claude Rutault,
  • Opens: Nov. 20, 2014
  • Closes: Jan. 03, 2015
  • Reception: Nov. 20, 2014
  • Hours: 6 - 8pm
  • Admission: free

Ecriture

  • Park Seo-Bo,
  • Opens: May. 28, 2015
  • Closes: Jul. 03, 2015
  • Reception: May. 28, 2015
  • Hours: 6 - 8pm
  • Admission: free

Meditation

  • CHUNG Chang-Sup,
  • Opens: Nov. 03, 2015
  • Closes: Dec. 23, 2015
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Chronochrome, curated by Matthieu Poirier

  • Jesus Rafael Soto,
  • Opens: Jan. 15, 2015
  • Closes: Feb. 21, 2015
  • Reception: Jan. 15, 2015
  • Hours: 6 - 8pm
  • Admission: free

La Venganza Del Amor

  • Iván Argote,
  • Opens: Apr. 27, 2017
  • Closes: Jun. 11, 2017
  • Reception: Apr. 27, 2017
  • Hours: 6 - 8pm
  • Admission: free

Past Tomorrow

  • Elmgreen & Dragset,
  • Opens: Apr. 16, 2015
  • Closes: May. 23, 2015
  • Reception: Apr. 16, 2015
  • Hours: 6 - 8pm
  • Admission: free

Music

  • Xavier Veilhan,
  • Opens: Feb. 26, 2015
  • Closes: Apr. 11, 2015
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

God is a Stranger

  • Johan Creten,
  • Opens: Sep. 09, 2015
  • Closes: Oct. 31, 2015
  • Reception: Sep. 15, 2015
  • Hours: 6 - 8pm
  • Admission: free

Pierre Paulin

  • Pierre Paulin,
  • Opens: Jun. 22, 2016
  • Closes: Aug. 19, 2016
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Paris Holiday

  • Group show,
  • Opens: Jul. 09, 2015
  • Closes: Aug. 21, 2015
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Erró: Paintings from 1959 to 2016

  • Erró,
  • Opens: Mar. 01, 2016
  • Closes: Apr. 23, 2016
  • Reception: Mar. 01, 2016
  • Hours: 6 - 8pm
  • Admission: free

Izumi Kato

  • Izumi Kato,
  • Opens: Jan. 07, 2016
  • Closes: Feb. 27, 2016
  • Reception: Jan. 07, 2016
  • Hours: 6 - 8pm
  • Admission: free

Dawn comes up so young

  • Bernard Frize,
  • Opens: May. 03, 2016
  • Closes: Jun. 18, 2016
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Circa 2345

  • Daniel Arsham,
  • Opens: Sep. 15, 2016
  • Closes: Oct. 22, 2016
  • Reception: Sep. 15, 2016
  • Hours: 6 - 8pm
  • Admission: free

Julio Le Parc

  • Julio Le Parc,
  • Opens: Nov. 04, 2016
  • Closes: Nov. 19, 2016
  • Reception: Nov. 04, 2016
  • Hours: 6 - 8pm
  • Admission: free

Fond Illusions

  • Kathryn Andrews,
  • Sophie Calle,
  • Leslie Hewitt,
  • Bharti Kher,
  • Alicja Kwade,
  • B. Ingrid Olson,
  • Cornelia Parker,
  • Gala Porras-Kim,
  • Tatiana Trouvé,
  • Opens: Jun. 21, 2017
  • Closes: Aug. 18, 2017
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

When

Oct 09 - Nov 15, 2014


Where

Galerie Perrotin

  • 130 Orchard Street, New York NY 10002 Map
  • 212.812.2902

About

Galerie Perrotin, New York is pleased to present “A Revision”, a collection of new works by Chicago-based artist John Henderson, which continues to
expand and develop his engagement with abstract painting and the conditions for its contemporary practice. Making use of a variety of technologies and
techniques—molds, castings, digital printing, video, and photography—Henderson reforms, revises, and reproduces the manual painterly expression,
invoking Minimalism and Abstract Expressionism while acknowledging a distance from their unmediated practice.

The cast metal paintings in “A Revision”, each titled “Type” (2014), were not produced by traditional lost-wax casting with which Henderson had already
been working, but instead, for the first time, using a process known as electrotyping (or electroforming). Copper ions are slowly deposited through an
electrolytic bath into a conductive mold taken from an original painting. Building up one layer at time, a copper reproduction of the entire canvas is created. The result, a metallic document of the painting, is almost sculptural, emphasizing the dimensionality not only of each brush stroke, but of the canvas and frame, too. The initial painting, itself a record of gesture on canvas, is then discarded, while the final copper object presents canvas, frame, and expression as a single and comprehensive object, readily identifiable with painting.

The printed works, each titled “Proof (wall rip, verso)” (2014), suggest less immediate conformity with expectations for what might count as abstract
painting. For each work, Henderson takes a page-sized swatch of linen and adheres it directly to the wall of his studio with sizing (a preparatory agent
routinely applied to canvas). Allowing the sizing to dry so that the porous linen fuses with the paint from the studio wall, Henderson tears off the swatch,
taking a layer of the wall paint along with it. The backside of the linen and the backside of the wall paint is then documented at high resolution, enlarged
dramatically, and printed with a dye-sublimation technique that transfers dye directly into the fibers of a polyester fabric. These printed paintings suggest,
like the electrotypes, a dimensionality; but here this is primarily the result of an optical effect, not unlike trompe-l’oeil, created by casually allowing the linen swatches to bunch and ruffle before being “flattened” by the documentation process. Perhaps more germane to the work’s continuity with Henderson’s vision of painting though, is the explicit integration of the studio space itself into the production of the work. That the formative material for this series is actual wall paint from the studio and the result of a “wall-ripping” activity therein, reminds us of a crucial interest of Henderson’s: the sense in which the studio is the stage, the material infrastructure, for the performance of painting, and, as such, how it is of a piece with the material of art.


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