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Greene Naftali

Prasine

  • Rachel Harrison
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    Rachel Harrison, Installation view
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    Rachel Harrison, Installation view
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    Rachel Harrison, Installation view
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    Rachel Harrison, Installation view
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Press for Prasine

Current Exhibitions at Greene Naftali


Heterotopia II

  • Peter Halley,
  • Opens: Nov. 06, 2019
  • Closes: Dec. 20, 2019
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Konrad Lueg [Extended]

  • Konrad Lueg,
  • Opens: Sep. 19, 2019
  • Closes: Dec. 20, 2019
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

The Bather’s Dilemma

  • Paul Chan,
  • Opens: Sep. 12, 2019
  • Closes: Oct. 19, 2019
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Sign Language

  • William Leavitt,
  • Opens: Apr. 30, 2019
  • Closes: Jun. 15, 2019
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

As It Lays 2

  • Alex Israel,
  • Opens: Apr. 30, 2019
  • Closes: Jun. 15, 2019
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Bait Paintings

  • Richard Hawkins,
  • Opens: Mar. 08, 2019
  • Closes: Apr. 19, 2019
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Passage to Dynasty

  • Gang Zhao,
  • Opens: Mar. 15, 2019
  • Closes: Apr. 19, 2019
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Ileden

  • Sophie von Hellermann,
  • Opens: Jan. 08, 2019
  • Closes: Feb. 02, 2019
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Swingers

  • Chantal Akerman,
  • Marie Angeletti,
  • Lutz Bacher,
  • Barbara Kruger,
  • Josephine Pryde,
  • Heji Shin,
  • Akram Zaatari,
  • Opens: Oct. 26, 2018
  • Closes: Dec. 15, 2018
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Michael Krebber

  • Michael Krebber,
  • Opens: Oct. 26, 2018
  • Closes: Dec. 15, 2018
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Mollusca & The Pelvic Floor

  • Trisha Baga,
  • Opens: Sep. 14, 2018
  • Closes: Oct. 20, 2018
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Painting: Now and Forever, Part III

  • Magnus Andersen,
  • Monika Baer,
  • Robert Bechtle,
  • Nayland Blake,
  • Julien Ceccaldi,
  • Vija Celmins,
  • Xinyi Cheng,
  • Leidy Churchman,
  • Whitney Claflin,
  • Ed Clark,
  • Robert Colescott,
  • Matt Connors,
  • Allan D’Arcangelo,
  • Noah Davis,
  • Lois Dodd,
  • Lukas Duwenhögger,
  • Nicole Eisenman,
  • Janiva Ellis,
  • Jana Euler,
  • Genoveva Filipovic,
  • Sam Gilliam,
  • Tony Greene,
  • Rachel Harrison
  • Luchita Hurtado,
  • Alex Israel,
  • Jasper Johns,
  • Matsumi Kanemitsu,
  • Bhupen Khakhar,
  • Mathieu Malouf,
  • Helen Marten,
  • Lucy McKenzie,
  • Rodney McMillian,
  • Jill Mulleady,
  • Jeanette Mundt,
  • Howardena Pindell,
  • Suellen Rocca,
  • Eiichi Shibata,
  • Gedi Sibony,
  • Avery Singer,
  • Sylvia Sleigh,
  • Anne Speier,
  • Linda Stark,
  • Hervé Télémaque,
  • Karl Wirsum,
  • Lynette Yiadom-Boakye,
  • Gang Zhao,
  • Opens: Jun. 28, 2018
  • Closes: Aug. 17, 2018
  • Reception: Jun. 28, 2018
  • Hours: 6 - 8pm
  • Admission: free

A New Look at TV and a Funhouse

  • Dan Graham,
  • Opens: May. 19, 2018
  • Closes: Jun. 16, 2018
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

On Non-Visibility

  • Tony Cokes,
  • Opens: Apr. 27, 2018
  • Closes: Jun. 09, 2018
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

The King And The Corpse

  • Gedi Sibony,
  • Opens: Mar. 22, 2018
  • Closes: May. 05, 2018
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Tears and New Tears

  • Josef Strau,
  • Opens: Mar. 08, 2018
  • Closes: Apr. 14, 2018
  • Reception: Mar. 08, 2018
  • Hours: 6 - 8pm
  • Admission: free

Walking Point

  • Mary Ann Aitken,
  • Wally Hedrick,
  • Craig Kalpakjian,
  • Paul Chan,
  • Tetsumi Kudo,
  • Tony Conrad,
  • Lee Lozano,
  • Dan Flavin,
  • Pope.L,
  • Isa Genzken,
  • Andrew Ross,
  • Rachel Harrison
  • Martin Wong,
  • Opens: Feb. 16, 2018
  • Closes: Mar. 10, 2018
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Hotel Suicide

  • Richard Hawkins,
  • Opens: Jan. 19, 2018
  • Closes: Mar. 03, 2018
  • Reception: Jan. 19, 2018
  • Hours: 6 - 8pm
  • Admission: free

Paradiso: A New Play by Richard Maxwell

  • Richard Maxwell,
  • Opens: Jan. 12, 2018
  • Closes: Feb. 10, 2018
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Jacqueline Humphries

  • Jacqueline Humphries,
  • Opens: Oct. 27, 2017
  • Closes: Dec. 16, 2017
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Peter Halley

  • Peter Halley,
  • Opens: Sep. 15, 2017
  • Closes: Oct. 21, 2017
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Prasine

  • Rachel Harrison
  • Opens: Apr. 28, 2017
  • Closes: Jun. 17, 2017
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

Dock Lands

  • Hilary Lloyd,
  • Opens: May. 26, 2017
  • Closes: Jun. 24, 2017
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

New York Golem

  • Gelatin,
  • Opens: Jun. 23, 2017
  • Closes: Aug. 04, 2017
  • Reception:
  • Hours: 6 - 8pm
  • Admission: free

When

Apr 28 - Jun 17, 2017


Where

Greene Naftali

  • 508 West 26th Street, Ground Floor, New York NY 10001 Map
  • 212.463.7770

About

Rachel Harrison
Prasine

April 28th – June 17th, 2017


One Stud: I’ll be moderating the discussion. Let’s start with you, Winged Victory.

First: Can we put up some walls first?

Winged Victory: Condensation Cube brought me in the truck, good thing there was still room.

Condensation Cube: We’re not just backing into each other. We actually have to compete for real estate.

Sappho and Patriarch: Location, location, location.

The Three Graces: Art, Sex, and Death: Blame iPhones and shelf life.

Condensation Cube: I have partially filled Plexiglas containers of a simple stereometric form with water and have sealed them. The intrusion of light warms the inside of the boxes. The image of condensation cannot be precisely predicted. I like this freedom.[1]

Box with the Sound of Its Own Making: There may be many precedents within a sculpture, but sculpture has for some time been raiding architecture.[2] Real space is not experienced except in real time.

One Stud: There must still be an art that grows up not knowing it is art at all?[3] Art criticism lost its power over art-making after the '60s, no? We've already put the paint back onto sculpture that Clement Greenberg took off.

The Three Graces: Art, Sex, and Death: You mean how Greenberg stripped all the David Smith sculptures after Smith died?

Alexander the Great: Sometimes I feel the '60s aren’t far away enough. We’re not props.

TV Buddha: The culture that's going to survive in the future is the culture you can carry around in your head.[4]

Sappho and Patriarch: I can defend being passed on as a lure, a decoy, an index, or as a reminder of a former visual self.[5]

Kunst muss hängen (Art Must Hang): A Bourdieuian definition of art could be summarized as follows: something is art if it exists for discourses and practices that recognize and can appropriate it as art.[6]

The Sled: Let’s hope this is not just a vicious dialogic cycle — we are, all of us, exploring a world that none of us even understands and attempting to create within that uncertainty. We're searching for more immediate, ecstatic, and penetrating modes of living.[7]

Kunst muss hängen (Art Must Hang): The first time that I can recall weeping in a museum was the first time I visited the Louvre.[8]

Winged Victory: Yes, I remember, I was there.

Manifesto: A racing car whose hood is adorned with great pipes, like serpents of explosive breath… is more beautiful than the Victory of Samothrace.[9]

Young Man: Why am I smiling? Where am I going? A young man stepping out into an adult world. My braided hair is like a teen-age girl’s, both stylized and natural. My testicles are full of life. You can project yourself into me.[10]

Publyck Sculpture: There is a meta-game for use in the United States. The rules of the game, or even that there is a game at all, are hidden to some. The uninitiated are known as naïve, provincial, suckers or liars. To those unamused by an awareness of backdoor maneuvering, a whole world of deceit remains opaque. Those in the dark are ripe for exploitation.[11]

“Benglis ad”: What’s the point of this discussion, isn’t this all a bit obvious?

Why not sneeze, Rose Sélavy?: Perhaps that’s why we’re here, to ask what’s the point.

Leave the Land Alone: It’s not to tell you what you don’t know but to show you another way of looking at what you do know.[12]

A Subtlety: I do what I am feeling and what I’m feeling is monstrous. And I do it in the nicest possible way.[13]

Judith Beheading Holofernes: Make art history scream.[14]

Dialogue Piece: This is all poetic nonsense.


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